Colour-matching functions — where it appears
Named by 28 essays across 5 fields — each of them below, with the objects they name alongside it.
Seventeen observers in 1931
The standard observer that governs every colour specification in industrial use is an average over seventeen young British men, measured with equipment from the 1920s. It is known to be wrong in the blue, the correction has existed since 1951, and it has never been adopted.
Three numbers
A spectrum has as many degrees of freedom as anyone cares to give it. The eye reports three. Everything colour science can do, and every way it fails, follows from that one collapse.
Why colour is exactly three-dimensional
Matching every wavelength with three primaries requires, for some wavelengths, a negative amount of one of them. That physical awkwardness is why the colour-matching functions were transformed into XYZ, and why the horseshoe is curved.
The mosaic is not the observer
The ratio of long-wavelength to medium-wavelength cones varies between ordinary people by a factor of sixteen. Those people make the same colour matches, to twelve decimal places, and that single fact is the reason a standard observer can exist at all.
Two degrees or ten
This site names the observer on every figure it draws, which was supposed to be the point. Measuring what it had actually done found two hundred and four figures naming the same observer, three naming the other, and sixty-two of sixty-four generators printing a string that had never once varied.
Two paints that stop matching
A metameric match is an identity between three integrals that are linear in reflectance. A second bounce carries reflectance squared, and no linear identity survives being squared — so two paints certified identical on a flat chart come apart in a corner, by an amount the geometry decides and the colorimetry cannot express.
A cone absorbs its own light
A photopigment's absorbance is a property of a molecule; a cone's sensitivity is that molecule stacked in a column deep enough to absorb most of what arrives. The stacking broadens the curve by thirty-five nanometres, and two observers differing in nothing else disagree about a match that is exact for one of them.
The laws that make colour add up
Colorimetry is an integral, and an integral assumes matching is linear. Grassmann's four laws are exact for a linear observer, to floating point — and they fail at both ends of the light range, by two different mechanisms, leaving colorimetry an operating band of three and a bit decades that no standard states.
One match names the observer
A yellow at 589 nanometres set against a mixture of 545 and 670 is two equations in two unknowns. It has one solution for a normal observer, a solution somewhere else for an anomalous one, and no unique solution at all for a dichromat — whose two equations are one equation twice.
Nobody here has two eyes
One person's two eyes differ in macular pigment and lens density, so the same light produces two colours — a whole ΔE00 apart for an ordinary pair, seven for one replaced lens. Adaptation hides it exactly, which is why nobody notices and why nothing in colorimetry has a term for it.
Four primaries have a choice
Three primaries matching three numbers have one answer. Four have a family of them, every member exact to floating point for the observer they were solved for — and the members are not equally good for anybody else, so a display with a fourth primary has a setting that is robust to who is looking at it and a setting that is not.
One person is two observers
The macular pigment is a yellow screen over the fovea and nowhere else, so a cone at the centre of gaze and a cone ten degrees away have different colour-matching functions in the same eye. A match made in the middle comes apart at the edge by six units — and fitting one filter to the gap between the CIE's two standard observers gives a density of 0.40 against a measured 0.35.
The matches do not name the cones
Colour matching is the whole empirical basis of colorimetry, and it fixes the observer's three curves only up to a nonsingular 3×3 — nine numbers that no match, in any quantity, to any precision, can see. One particular choice of those nine is used throughout here, and it was made for a different purpose.
The observers differ by a unit's worth
The gap between the 1931 and 1964 standard observers is the one quantity in this collection's audit with no published number under it — nothing here reports it as a single figure over a stated set. It also has the second-largest dependence on which colour-difference formula is used, running from 1.60 to 3.55 across the menu.
The population rests on a template
Two hundred observers here are built from one formula fitted to microspectrophotometry in 2000. The obvious alternative — the tabulated cone fundamentals — is not available, and the reason is the finding. A tabulated fundamental has no peak wavelength to move, so the moment it is used the population collapses to a single observer.
A template is mostly its tail
Four pigment templates matched to the same width at the same peak, differing only in which side of the peak their half-maximum reaches further. Ordered by that one number, the observers they build are ordered by how far they sit from the standard one — and the two with the tail on the wrong side cost two and four times what either real nomogram costs.
The reference had to be built
A five-nanometre error cannot be measured with five-nanometre data. Interpolating the tables and integrating finely measures the interpolator, not the grid — so the audit of this collection's index had to be run against an observer made of formulae, and the price of that is a residual of 1.42 ΔE₀₀ that every number in the section is read beside.
The third factor is a construction
Every figure in this collection names its observer, which was the whole point. None of them says what an observer is made of. Three curves are not a measurement of the eye; they are a projection of one, with a field size, an age, a macular density, three peak wavelengths and a luminance constraint inside them.
Three curves for one space
Rotate a set of colour-matching functions by an arbitrary invertible matrix, undo the rotation at the end, and the computed colour is identical to eight parts in a thousand million million. An observer is a three-dimensional subspace, not a set of curves, and the literature keeps reopening a question that is a theorem.
A macula three nanometres short is a lens band
Two colour-matching sessions can fit a band of extra absorption in an older lens, its size and its centre, and the test proposed for real older observers was to count those with a band more than twice its standard error. That test assumes a significant band can only be a band. The observer model's macula peaks at 460 nm; a real one is two carotenoids whose mix moves its peak by a few nanometres. Simulated with its macula peaking three nanometres short and no band at all, an observer at sixty is fitted with a lens band of 0.06 at 438 nm, three standard errors, and noisy sessions find it in nineteen of twenty experiments. Six nanometres short, the phantom is larger than the band the earlier essays searched for. The confusion runs both ways: a real band fitted with the macula's peak free reads as a macula two to three nanometres short. Neither fit alone can tell them apart. Comparing the two can, with two sessions — never preferring the macula for a real band, and preferring it in sixteen to nineteen experiments of twenty for a short macula.
A second session keeps a band and the macula apart
A lens band and a macula peaking a few nanometres short look alike to a colour-matching fit that has only one of them, and an older eye may have both. Fitted with all six numbers — rod weight, lens age, macular density, the band's amplitude and centre, and the macula's peak — nine simulated observers at sixty, each with a band at 415, 430 or 445 nm and a macula moved three nanometres either way or not at all, test whether the matches can carry both. The prediction was that the band at 445 and a short macula would trade almost completely, a correlation beyond 0.95 and the band's standard error tripled. That is what one session does: correlations of 0.91 to 0.95 at 430 and 445 nm, and a band found in at most twelve experiments of twenty. Two sessions do not. Their correlations stay between 0.42 and 0.83, the band is found in twelve to twenty experiments for every observer, and a moved macula in twelve to nineteen — while an unmoved one is found moved in at most three. The price of the extra number is paid by the band nearest the macula, whose standard error rises by three quarters; the rod signal pays almost nothing.
A line on the macula's flank buys less than a repeated session
Fitted with six numbers, two sessions of colour matches keep a lens band and a moved macula apart, but the band at 445 nm pays for it: correlated with the macula's shift at 0.82, its standard error 1.8 times its value when the macula is not fitted. A moved macula changes its long flank past 470 nm, where no lens band reaches, so a third session — the LED against a lamp with a narrow line at 487 nm — was predicted to bring the correlation under 0.6 and the band's error within a quarter of its band-only value. The correlation falls to 0.80 and the error to 1.5 times. A third session that simply repeats the second does better on both errors. The flank line pins how much macular pigment there is, not where it peaks, and it ties the band's height to its centre. Moved to 465 nm, onto the macula's peak, the same session brings the band within about a fifth of its band-only error — but no position of the line brings the correlation below 0.78. The band at 445 nm and the macula's peak are told apart by their short flanks, and a third session adds matches rather than a new kind of evidence.
A sensor calibrated on lamps cannot read an LED
A display that declares its room's light in the light's own chromaticity keeps a dark picture's shadows untinted, and the chromaticity has to come from a sensor. The prediction was that a small three-channel sensor calibrated on a 2,700 K and a 6,500 K lamp reads mixtures of a lamp and daylight within 0.001, because they are mixtures of its calibration lights, and misreads phosphor LEDs by 0.003 to 0.006. The mixtures nearly hold: misread by up to 0.0023, past 0.001 from half daylight, because daylight is not a 6,500 K lamp — and at a tenth of a candela no mixture tints the moon picture by a unit. The LEDs are three times worse than predicted. Every one of thirty white LEDs built onto the Planckian locus is misread by 0.007 to 0.017, and every one tints the shadows by 1.7 to 3.6 units. The divide is not lamp against daylight but smooth against spiky: every Planckian lamp and mixture under 0.0035, every LED and fluorescent tube over 0.007.
No calibration reads the lamps and the LEDs together
A three-channel ambient sensor pinned on two Planckian lamps reads every lamp and every lamp-and-daylight mixture well enough to keep a dark picture's shadows under a ΔEITP unit, and misreads every white LED badly enough to tint them by two to four. Its errors on the LEDs all point one way, and the prediction was that a matrix fitted in least squares to every light in a census would bring every LED under 0.004 while the lamps rose only towards 0.003. It does not. Fitted to the census, each light held out, the sensor's worst LED error falls from 0.017 to 0.0066 and its worst lamp error rises from 0.0033 to 0.0126; thirteen of forty-seven lights still pass a unit, among them the 2,700 K lamp the original calibration read exactly. A matrix exact on the lamp, daylight and one 4,000 K LED reads every mixture and every 4,000 K LED nearly perfectly and fails the 2,700 K LEDs, none read better than 0.0063. A fourth channel leaves six lights beyond a unit. Three broad channels have one matrix, and it can be right about one kind of spectrum.
Seven channels carry their noise as lightly as three
An ambient-light sensor of seven narrow channels, fitted to a room's forty-seven lights and four triphosphor siblings, reads every one of the fifty-one within a ΔEITP unit of a dim moon picture's tint, each light held out of its own fit. A fine sensor was expected to read chromaticity from small differences between neighbouring channels, with large weights of both signs that multiply every channel's noise. The prediction was that seven channels stay within a unit at a quarter of a per cent of channel noise and are no better than five at one per cent. The first half holds. The second fails completely: at one per cent seven channels still read every light's every one of a hundred readings within a unit, while five lose twenty-two lights. The premise was wrong. Seven channels' matrix barely cancels — its contributions sum with one sign — and per unit of noise it moves the reported chromaticity no more than three broad channels do.
A tilt moves every light's reading alike
An ambient-light sensor of seven narrow channels reads all fifty-one of a room's lights within a ΔEITP unit of a dim moon picture's tint and keeps them there through one per cent of independent noise on every channel, because its matrix barely cancels. A drift shared by the channels does not average out: as a photodiode warms its response tilts, rising at long wavelengths and falling at short. The prediction was that a tilt reaching ±1 per cent at the ends of the range leaves the seven-channel sensor within a unit for every light and that the twelve-channel sensor, whose Z row cancels, loses more lights than seven at every tilt. Seven channels hold to ±2 per cent, the worst light at 0.56. Twelve loses two lights at every tilt — the two it misreads with no tilt at all — and none to the tilt. Every sensor's reported chromaticity moves by about seven ten-thousandths in u′v′ per per cent of tilt, every light nearly the same way.
A dark offset pulls every light toward one colour
An ambient sensor of seven narrow channels reads all fifty-one of a room's lights within a ΔEITP unit of a dim picture's tint through independent noise and a gain tilt, because its matrix barely cancels. A dark current is different again: it adds the same signal to every channel whatever the light, and at the dim end of a room's lighting it is a larger share of a weak channel than of a strong one. The prediction was that an offset of a quarter of a per cent of the strongest channel costs the seven-channel sensor lights, while three broad channels move least. Seven channels hold every light to two per cent. Three move furthest. And the offset does something simpler than either sensor's design suggests: it draws every light's reading straight toward the one colour the sensor reports for equal signals in every channel.
A light's distance from the equal-signal colour sets when it goes
An uncorrected dark offset draws every light an ambient sensor reads straight toward the one colour its matrix reports for equal signals in every channel, and a seven-channel sensor holds the room's fifty-one lights within a ΔEITP unit to an offset of two per cent of each light's strongest channel. The prediction was that the first light goes near three per cent and is the warmest, that each light's crossing offset falls with its distance from the equal-signal colour, and that two readings a light predict its crossing within a fifth. The warmest goes first — the 2,200 K radiator — but at 2.1 per cent. The twelve 2,700 K LEDs go together, between 3.9 and 4.4. Crossing follows distance at r = −0.93, and a straight line through each light's tints at one and two per cent predicts its crossing within 8 per cent, always early. Below half a per cent nothing moves at all.
Named alongside it
The objects these essays reach for when they reach for this one.
Standard observerCone fundamentalsIndividual variationMacular pigmentMetamerismObserver metamerismΔELinear modelTrichromacyΔEITPHeld-out validationIdentifiability