Concept

Identifiability — where it appears

Whether the data determine a model's parameters at all, and if so how well. Structural identifiability asks whether perfect data would fix them and is settled by algebra; practical identifiability asks whether the data in hand fix them at the noise present, and is settled by a condition number.

Named by 59 essays across 9 fields — each of them below, with the objects they name alongside it.

One observer's matching functions, in three of the bases the matches leave free. The three colour-matching functions after a change of basis 0.00 of the way from Hunt–Pointer–Estévez towards the set built from the dichromat confusion points. Every one of these triples predicts exactly the same matches as every other, because a match is an equality and a matrix applied to both sides of an equality changes nothing. What moves is where the peaks are and whether the curves go negative — these ones do not, and going negative is what the 1931 committee constructed XYZ to avoid.

The matches do not name the cones

Colour matching is the whole empirical basis of colorimetry, and it fixes the observer's three curves only up to a nonsingular 3×3 — nine numbers that no match, in any quantity, to any precision, can see. One particular choice of those nine is used throughout here, and it was made for a different purpose.

eye · Cones
Where a dichromat's confusions converge. Every pair of colours a protanope cannot tell apart lies on one of these lines, and all the lines meet at a single point — at (0.7465, 0.2535) for this class. The point is the chromaticity of the missing cone's own response direction, which is why it need not lie inside the diagram or correspond to any light at all. Two of the three do not. The three points between them carry six numbers, and six is two thirds of what the matching data leave undetermined.

A confusion point is a missing pigment

The nine numbers colour matching leaves free are fixed by three points on a chromaticity diagram, each of them the place where everything one class of dichromat cannot tell apart converges. Two of the three lie outside the diagram entirely, which is not a defect — a direction in tristimulus space need not correspond to a light.

eye · Cones
The locus and the triangle, drawn on one of the diagrams. The spectral locus and the sRGB triangle in CIE xy (1931) — the default of the discipline, and the default used here. The triangle covers 33.6% of the enclosed area here. Nothing about the observer or the display has changed between this picture and any other in the family; the coordinates have, and the coordinates are what an area is measured in.

The diagram has no area

A chromaticity diagram is a projective picture of a three-dimensional space, and the freedom colour matching leaves in the observer acts on it as a projective map. Straight lines and mixture ratios survive that; area, distance and angle do not — so half of what the diagram is used to say is a statement about the paper.

matching · Gamut
What share of the diagram the sRGB triangle covers, in twelve published coordinate systems. Each row is a chromaticity diagram somebody has printed, and each bar is the fraction of the enclosed visible area that the sRGB triangle covers in it. Every row describes exactly the same observer and exactly the same gamut. The answer runs from 8.5% to 38.4%, a factor of 4.52, because area is not preserved by the projective maps that carry one of these diagrams to another. The familiar "about a third" is a fact about CIE xy.

Two thirds is not a property of the eye

It has been said from the beginning here that about two thirds of the chromaticity diagram cannot be shown on a screen. The figure is right, on the diagram it was measured on, and across twelve published diagrams the same triangle covers anything from 8.5 to 38.4 per cent of the same locus. Counting stimuli instead gives an answer that does not move.

matching · Gamut
MacAdam's ellipses, drawn on one diagram. The twenty-five measured discrimination ellipses at 10× actual size, on CIE xy (1931). Mean axis ratio 2.95 — one would mean every contour is a circle — and a size spread of 10.42 between the largest and the smallest. Both numbers depend on the plane, which is why the 1976 revision existed; neither can be taken to one, which is why the revision did not finish the job.

No diagram makes them circles

Every chromaticity diagram is a projective picture of the same measurement, so how badly MacAdam's ellipses fail to be circles can be minimised over the whole family of them. The best plane there is still leaves the average ellipse twice as long as it is wide — which makes the residual a fact about the eye rather than about anybody's choice of primaries.

difference · Metric
The same formula, applied after six different changes of basis. CIELAB's arithmetic — divide by a white, take a cube root, difference the results — run on six of the bases the matching data leave free. A linear change of basis leaves every match alone; a cube root does not commute with one, so the space, and therefore every colour difference computed in it, depends on which basis was in place before the nonlinearity. CIELAB's own choice gives an axis ratio of 3.44 and the best row here is LMS (confusion points) at 2.60.

A difference needs a basis too

A linear change of coordinates leaves every colour match exactly where it was. A cube root does not commute with one — so a lightness–chroma space, and every colour difference computed in it, is a property of the basis that happened to be in place before the nonlinearity. CIELAB's basis was chosen in 1931 for reasons that had nothing to do with difference.

difference · Metric
How short of determining the light a photograph is, as the scene grows. Each cell is the number of unknowns left over after every equation the image supplies: three sensors, a three-dimensional illuminant, and reflectances confined to a linear model of the dimension on the left. At one and two dimensions more surfaces close the gap. At three the gap never closes, because each further surface adds three equations and three unknowns; at four it widens. The count is arithmetic and has no algorithm in it.

An image does not determine the light

A photograph of a scene under one illuminant gives three numbers per surface and asks for the illuminant plus three numbers per surface. The count closes only if reflectances lie in a two-dimensional model, and no number of surfaces helps — at three dimensions the alternative scenes can be written down, and they reproduce every sensor response exactly.

scene · Scene
What a camera matrix reports on its own chart, and what it delivers off it. The same camera fitted on charts of increasing chromatic range. The left bar of each pair is the mean error on the chart the matrix was fitted to, which is the number a profile comes with; the right bar is the error on a saturated set it never saw. At the thinnest chart the fit reports 0.19 ΔE00 and delivers 1.65, a factor of 8.6. The gap closes as the chart widens, and it closes because the chart improves rather than because the camera does.

The chart decides the profile

A camera's colour matrix is nine numbers fitted to a set of patches somebody chose, and the number that comes with it is the error on those patches. On a chart with no chromatic range that number is 0.19 ΔE00 and the matrix delivers 1.65 — and a second matrix, indistinguishable on the chart, delivers 2.03.

imaging · Capture
A camera matrix fitted under each light, used under each light. Mean ΔE00 over the same surfaces, with the matrix fitted under the row's light and the scene under the column's. The diagonal is what a profile's data sheet quotes and is between 1.0 and 1.2 everywhere. Off it the numbers rise steeply: the matrix fitted under illuminant A reports 1.17 there and delivers 9.34 under a 9000 K daylight, a factor of 8.0. Nothing about the camera changes between cells.

A matrix is fitted under one light

A camera's colour matrix is nine numbers determined by a chart photographed under a particular illuminant, and the error it quotes is the error under that illuminant. Fitted under a tungsten lamp and used under a cold sky it delivers eight times as much — and the two-matrix scheme every real profile uses turns out not to be a compromise at all.

imaging · Capture
An instrument, as the only thing it really is. The 3 filters a bank of that size puts across the visible range, each drawn against wavelength. Everything the instrument can report about a spectrum is 3 numbers — the integral of the light against each of these — so the set of spectra it cannot tell apart is everything orthogonal to all 3 of them, which is 78 dimensions of the 81 this site works in. Three of these is a colorimeter in spirit; the eye is three of them too.

Three numbers cannot see a line

An instrument that returns three filtered readings of a spectrum determines a three-dimensional projection of it and is exactly blind to the other seventy-eight. On daylight that costs almost nothing; on a fluorescent tube, three quarters of the lamp lies in the part no reading reaches, and adding filters recovers it slowly.

light · Light
The colour is right long before the spectrum is. The colour error of the projection, against the number of readings. At twelve readings the fluorescent tube's colour is right to 0.48 ΔE00 while 66% of its spectrum is still unmeasured. That is the trap in one line: a reconstruction good enough to pass any colorimetric check will predict a match under a second illuminant that does not happen, because the part it got wrong is exactly the part a different lamp weights differently.

The colour is right first

A reconstruction of a lamp from twelve filtered readings gets its colour right to half a unit while two thirds of its spectrum is still unmeasured. That combination is not a partial success — it is the exact condition under which a spectral prediction made from the reconstruction will be confidently wrong.

light · Light
What each fitted thing in these essays carries, what its data fix, and what is left. Three columns per row: how many numbers the model has, how many the stated data determine, and the difference — the dimension of the family that fits equally well. The third column is the one nobody publishes. A zero there does not mean the model is right; it means it is determined, which is a much weaker property and is compatible with being determined badly, as the camera row is.

A fit can be exact and empty

Every fitted object here reports one number, the residual on the data it was fitted to, and every one of them has two more that nobody publishes — how many of its parameters the data actually determine, and how large the family of equally good answers is. The third column is where the failures live.

limits · Limits
Which of this collection's own claims survive a change of basis, and which are about the paper. Nine sentences this site says, sorted by whether they mean the same thing after the observer's three curves are replaced by a nonsingular combination of themselves. 5 of the nine do. The four that do not are not thereby wrong — they are statements about a chosen set of coordinates, and they are true of those coordinates. What they cannot be is statements about the eye, which is how every one of them is usually read.

Which of these is a convention

Nine ordinary sentences from this collection, put through one test — do they mean the same thing after the observer's three curves are replaced by a nonsingular combination of themselves? Five survive and four do not, and none of the four is wrong, because each is a statement about a set of coordinates being read as a statement about an eye.

limits · Limits
What the next thousand patches buy a printer profile. A profile is a table, exact at its nodes and interpolated everywhere else. Each mark is a grid: the horizontal axis is how many patches somebody had to print and measure, the vertical is the worst error found between the nodes. Going from 135 patches to 3645 — 27.0× the work — buys 8.4× the accuracy. The error falls with the square of the spacing and the count rises with its cube.

A profile is a fit between its nodes

A printer profile is a table, exact at every patch that was printed and interpolated everywhere else — and everywhere else is where every job lives. Going from a hundred and thirty-five patches to three and a half thousand is twenty-seven times the work for eight times the accuracy, and the exponents say that is as good as it gets.

applied · Delivery
Where each published matrix puts the confusion points, whether or not it meant to. Every matrix from tristimulus values to cone responses commits itself to three confusion points, because the point is the direction the other two rows annihilate. The first row is the construction from the measured points and returns them exactly. The rest were chosen for other reasons and land elsewhere — Hunt–Pointer–Estévez, the cone space used throughout these essays, misses the deuteranope's point by 1.28 in chromaticity. The worst here is 4.09.

The cones an appearance model uses

CIECAM16 adapts in three axes whose rows are labelled L, M and S, and they were fitted to corresponding-colour experiments rather than measured on receptors. Run the dichromat construction backwards on them and they commit to a deuteranope confusion point 1.45 away in chromaticity from the measured one — which is a test the axes were never asked to pass.

brain · Appearance
Four different bases, one adaptation model, one number. The middle row of the basis built from the confusion points multiplied by 0.21, 1, 3.7 and 11 in turn, with the resulting adaptation residual drawn as a bar in each case. The four bars are the same height to 9e-16 of a ΔE00, because the row's scale cancels exactly between the gain and the inverse. Three of the nine numbers a colour match leaves free are invisible to an adaptation model, which is why the six the dichromat data supply determine it outright with nothing left to fit.

The three numbers a gain cannot see

Colour matching leaves nine numbers free. Three dichromat confusion points fix six of them and three choices of unit fix the rest — and it turns out that a von Kries gain is exactly blind to those last three. So the dichromat data do not merely constrain an adaptation basis. They determine it, with nothing left over to fit.

eye · Cones
How cone-like a basis is, against how well it adapts. Each basis placed by how far its own implied deuteranope confusion point falls from the measured one (horizontal) and by how much an adapted observer is left with in it (vertical). The construction from the confusion points sits at zero on the horizontal by definition and near the top on the vertical. Nothing near the left of the picture is near the bottom: the closer a basis is to the receptors, the more a von Kries gain leaves behind. The unconstrained winner sits at 1.63 on the horizontal, further from the measurement than any published transform except CAT02 and Bradford.

The best axes are not receptors

If the axes that make a von Kries gain work were nearly the cone fundamentals, the published adaptation transforms would be cone-like and their departures would be slack in a fit. They are not. Minimise the residual over all nine free numbers and the winner sits further from the measured dichromat confusion points than any of them.

eye · Cones
Five answers to how far the ellipses are from circles. Five mean axis ratios on the same twenty-five measured ellipses, measured the same way in every row: the boundary points carried through, the longest radius over the shortest, averaged. What differs is which class of map is allowed. The first two rows are chromaticity diagrams, which divide by a sum; CIE xy as printed leaves 2.95 and the best diagram there is leaves 2.02. The last three are lightness–chroma spaces, which divide by a white point; CIELAB as specified leaves 3.44, the best space with no compression leaves 2.33, and the best space with a cube root in it leaves 1.61. Neither family contains the other, and only the last one gets below two.

A compression goes below the floor

Elsewhere this collection minimised the anisotropy of MacAdam's ellipses over every chromaticity diagram there is, found 2.02, and called the residual a property of the eye. It is a property of the eye seen through a projective picture. A cube root after the right basis reaches 1.61 on the same twenty-five ellipses.

difference · Metric
The floor as a function of the exponent, and the fixed basis beside it. Two curves against the compression exponent on a logarithmic axis from 1 to 10. The lower curve is the best mean ellipse axis ratio any basis can reach with that exponent applied after it, and it falls from 2.33 at no compression to 1.66 at a square root and 1.61 at a cube root, then hardly moves — 1.57 at a tenth root. The upper curve is CIELAB's own basis at the same exponents and gets steadily worse, from 3.57 to 3.77. Almost everything a compression buys arrives with the first step away from linearity, and after that the exponent is choosing between 1.66 and 1.61 while the basis is choosing between 1.61 and 3.44.

The exponent was never the argument

A century of colour science has argued about whether the eye's response is a cube root, a square root or a logarithm. Minimise the anisotropy of MacAdam's ellipses over every basis, at each of eight exponents, and the floor moves by under three per cent between a cube root and a tenth root — while the basis moves it by a factor of two.

difference · Metric
The same optimum, along its narrowest direction and its widest. The adaptation objective along two straight lines through its own minimum, both of unit length in the nine coefficients. Along one of them the cost rises steeply; along the other the same step costs 8.0 times less, and a design constrained to move that way gives up almost nothing. That is why restricting the nine numbers to be the inverse of three realisable primaries — three degrees of freedom gone — costs about one per cent, while requiring them to hit the three dichromat confusion points costs seventy. Counting what a constraint removes predicts neither number; what matters is which way it points.

A constraint costs what it points at

Three primary chromaticities remove three of the nine numbers in an adaptation basis and cost one per cent. Three dichromat confusion points remove six and cost seventy. Counting what a constraint removes predicts neither, because an optimum is a long bowl and what matters is which way the constraint points.

limits · Limits
Nine eigenvalues, six of which exist. Nine points on a logarithmic vertical axis: the eigenvalues of the Hessian of the adaptation residual at its own optimum, largest to smallest. The first six run from 6.8×10² down to 7.6×10⁻¹, a condition number of 890. Then the axis drops: the seventh is 1.9×10⁻⁴, and the last three are separated from the sixth by a factor of 4.0×10³. Those three are not small curvatures. They are the finite-difference truncation error on directions along which the objective is exactly constant, and a shaded band marks them as the numbers the objective does not have.

The rank is the invariance

A von Kries gain cannot see the scale of a row of its basis. That is an identity, proved in a line, and it can be measured instead — as the rank of a second-derivative matrix. Both objectives this collection minimises over the observer's nine free numbers have a Hessian of rank exactly six, and the three directions they cannot see are the three scalings, to a hundredth of a degree.

eye · Cones
What a constraint costs is how far it pushes, in the directions that are seen. A scatter of every constraint imposed here on the nine free numbers. The horizontal axis is the length of the displacement from the optimum measured only in the six directions the objective can see; the vertical, on a logarithmic scale, is the excess cost that displacement actually carries. Requiring the basis to be the inverse of three realisable display primaries sits at the bottom left, at 0.068 and 0.022 ΔE00 — it removes three degrees of freedom and moves the answer almost nowhere. Requiring it to hit the three dichromat confusion points removes six and pushes 13 times as far, for 0.68. The vertical spread at similar horizontal positions is the part a count of parameters cannot predict.

A constraint is a direction and a distance

Four restrictions on the same nine numbers cost nothing, nothing, two per cent and seventy. How many parameters each removes predicts none of it. What does is the quadratic form evaluated along the displacement — and showing that it does means walking in towards the optimum rather than arguing at the edge, because at the edge the prediction is out by a factor of three.

limits · Limits
A template that cannot place a point, fitted three ways. Three rows, one per set of stimuli the pigment template's cone matrix can be fitted over, each listing the three confusion points that matrix implies. The protanope's point wanders from (0.99, 0.20) to (0.76, 0.13) against a measured (0.75, 0.25), and the deuteranope's moves by 22.5 in chromaticity — further than the whole diagram is wide. A copunctal point is where two nearly parallel planes meet, so a template good to a few per cent, which is far more than enough to place a spectrum, is nowhere near enough to place this. It is why the population is built by moving the measured points rather than by deriving them.

A template cannot place a point

This collection's model of an eye is good to a few tenths of a per cent at predicting what a cone catches, which is far more than enough to place a spectrum. Asked where that eye's confusion points are, it puts the protanope's at (0.99, 0.20) against a measured (0.75, 0.25) and the deuteranope's anywhere from (1.1, −0.5) to (−18, 11) depending on which stimuli the fit was made over.

eye · Cones
What the confusion points charge, across a population. A histogram of 200 members of a population of eyes, each scored by what the adaptation basis their own confusion points determine leaves after the gain. It runs from 1.22 to 2.24 ΔE00 with a median of 1.78. Vertical marks show the unconstrained floor at 0.97, the published transforms, and the single observer this site quotes at 1.65. The distribution straddles Hunt–Pointer–Estévez and reaches below CAT16: 18 per cent of members are better served by their own receptors than by a matrix built to make a gain behave, and 2 per cent than by the current recommendation.

The price is also the person

The receptor construction costs seventy per cent above the unconstrained floor, which is a number usually quoted as a property of the construction. Propagated across a population of eyes it runs from a quarter above the floor to a hundred and thirty per cent above it, and the population's own spread is wider than the entire gap between the published transforms the seventy per cent was being compared against.

limits · Limits
Three corrections for the corner of a frame, each made under daylight. The mean colour difference over twenty-four coloured patches between the centre of a frame and its corner, against the angle light arrives at, after three corrections each fitted under daylight, D65 and used under it: a grey-card gain map, a correction confined to the red channel's row, and a full three-by-three matrix. All three leave the grey exact. At 25° the gain map leaves 1.86, the red row 0.93 and the matrix 0.90; at 35°, 3.81, 1.95 and 1.81. Six more numbers buy almost nothing, because the moved edge is in one channel.

A corner is corrected by one row

A grey-card gain map makes the corner of a frame exactly right on grey and leaves coloured patches 1.86 colour differences wrong at twenty-five degrees. A three-by-three matrix fitted at that position halves it — and six of its nine numbers do nothing, because the moved filter edge is in one channel. The three that matter rebuild the lost red from green and blue, they carry to another lamp better than a gain map in eleven cases of twelve, and in the twelfth, a row fitted under tungsten and used in daylight, they leave the grey 9.2 off.

imaging · Capture
Two matrices blended by colour temperature, under fourteen lamps. For each lamp, with the neutral held exact as a converter holds it: the mean colour difference over twelve test surfaces with a matrix fitted under that lamp (the short bar) and with the tungsten and daylight matrices blended at the weight its correlated colour temperature gives (the long bar). Smooth lamps on or near the locus sit within 6 per cent of their own matrix. The lamps with lines or narrow bands in them sit a median of 2.2 times theirs, from 1.38 for a broadband tube to 5.2 for a three-emitter source.

Two matrices do not reach a white LED

A camera profile's two matrices, blended by the scene's colour temperature, are as good as a matrix fitted anywhere along daylight. Under a white LED or a fluorescent tube the same blend leaves colours twice as far off as a matrix fitted under that lamp, and no weight inside the profile's range repairs it. What decides it is not how far the lamp sits from the Planckian locus — a triphosphor tube sits nearly on it and fares worst — but whether its spectrum has lines in it, which a white balance reading cannot see.

imaging · Capture
One lightness scale, drawn as a contour across the rooms. Three surrounds up the page and the background's luminance factor across it, on a square-root scale so that the model's own exponent base is linear in the axis. Each curve joins the rooms whose lightness exponent is the same, and every room on one curve returns the same lightness for every sample. The marked curve is the one through a television in a lit living room against a mid grey: it also passes through a print on a desk against a background of 2.8 and a projection in a dark room against 47.0. A curve that leaves the plot has no member in that surround, because each surround multiplies a base that runs only from 1.48 to 2.48.

Two rooms with one lightness scale

CIECAM16's surround and its background both reach lightness, and they reach it through one product. So the rooms fall into classes: a television in a lit living room against a mid grey returns exactly the lightness a print on a desk against a background of 2.8 does, for every sample, to the last bit of a double. It returns 0.76 of its chroma and 0.81 of its brightness. Two of the model's four viewing-condition parameters are one parameter, and only colour tells them apart.

brain · Appearance
The confusion matrix, and which corner the common lamps are in. Twelve fixtures sorted two ways. Down the page is what their spectra are; across is what flicker says. The two corners on the diagonal are 7 fixtures the classifier gets right. The 3 missed are structured lamps that do not flicker — a white LED and a warm LED on constant drivers, and a three-emitter fixture — and those are the lamps most modern interiors are lit by. The 2 false alarms are smooth lamps that do flicker: a halogen lamp on mains and a tinted radiator, both of which a photograph of a room is quite likely to contain.

Flicker sorts lamps the wrong way

A camera cannot see a spectral line in its own white, so the essay on the two-matrix profile named the classifiers a device might have instead, and the first of them was flicker. Flicker is measurable, and it measures the wrong thing. It sorts lamps by how their power is delivered while the matrix needs them sorted by how their spectrum is shaped, and the two are independent: a white LED on a constant driver is perfectly steady and strongly structured, and it is what most indoor photographs are lit by.

imaging · Capture
The statistic a converter would read, under each model. The log ratio of the two channels that are still open, against how bright the surface is, under the two models of what a highlight is. A matt surface over-exposed keeps its own ratio exactly — the line is flat, and it must be, because scaling every channel by the same amount leaves a ratio alone. A glossy surface carries a reflection of the lamp on top of its body colour, so its ratio slides towards the lamp's as the reflection strengthens: -0.086 of a log unit between a quarter of full scale and nine tenths. That slide is the whole of the evidence a converter has for choosing between them.

The converter can choose except where it matters

A converter rebuilding a clipped highlight has to say whether the surface was matt and over-exposed or glossy and carrying a reflection, and the evidence is whether its raw chromaticity slides towards the lamp's on the way up. Read through the sensor's own noise, the slide is clear on most of the chart from the few tens of pixels a specular highlight holds — and on the surfaces where it takes half a frame, confusing the two models costs more than the median. A ratio cannot see a common scale, and an exposure supplies one.

imaging · Capture
The four places a clamp could sit are two pipelines. Every pair of clamp positions, with the largest difference their delivered values reach over a grid of raw inputs that includes negative ones. Two of the six are exactly zero: a clamp at zero commutes with the white balance, which is a positive scale applied channel by channel, and with the tone curve, which is monotone and fixes zero. It does not commute with the colour matrix, which is the only step that mixes the channels — so the four positions collapse to two, before the matrix and after it, and no measurement of any scene can say more than which side a converter is on.

Four places to clamp are two pipelines

The essay on clipped noise ended on a procedure: a black frame and a dim grey card at a high amplification would place each raw converter's clamp. A procedure is a claim that a measurement identifies something, and this one identifies less than it looks. A clamp at zero commutes with the white balance and with the tone curve and not with the colour matrix, so the four positions are two pipelines — and the measurement separates them, on a card at half a per cent of white rather than on the black frame.

imaging · Capture
The same chart in two studios and in the room that holds both lamps. Each of the chart's twenty-four surfaces, with the pixels its slide needs at two standard deviations at high gain, on a logarithmic scale. Lit by a 3000 K radiator alone the worst surface needs 16,194; lit by daylight at 6500 K alone, 139,574. Lit by both, 50 and 50 per cent of the light, with a highlight of each lamp read together, the worst needs 10 and the median 6. The studios' hard surfaces sit at different places on the chart, and no surface is hard in both.

Two lamps decide what one lamp could not

Under one lamp a handful of surfaces cannot tell a glossy highlight from a matt over-exposure without most of a frame, because there the two differ by a scale a ratio cannot see. In a room lit evenly by a 3000 K lamp and daylight, every surface on the chart is decided from ten pixels. A body can sit at one lamp's white, not at two, and the rescue holds only while the second lamp carries a fifth of the light and its white sits far enough from the first.

imaging · Capture
How far each lamp's sensor reading is from what the camera predicts, with RGB + clear. Fourteen lamps, six smooth and eight structured, each scored by how far an ambient-light sensor with red, green, blue and clear channels reads from what the camera's white predicts through a map fitted on smooth radiators and daylights. The smooth lamps score at most 0.057 and the structured at least 0.133; the dashed line is the threshold at the gap's geometric middle, 0.087. The lights the map was fitted on score at most 0.0113. Every lamp falls on its own side of the line.

Two sensors disagree about deep red, not lines

A phone's ambient-light sensor and its camera read the same lamp differently, and the difference sorts fourteen lamps into smooth and structured without a single mistake — where flicker made five. It is not reading their lines. Almost all of it comes from the sensor's clear channel collecting deep red the camera's infrared cut throws away, so daylight with its far red trimmed is called structured and a white LED with a far-red emitter is called smooth.

imaging · Capture
The calibration error a narrow fourth channel survives, by where it is placed. For a red, green and blue ambient sensor with one more channel 10 nm wide, centred from 450 to 640 nm: the first calibration error at which some lamp of fourteen is misclassified. Dashed: the channel pooled into the whole residual, as the ambient sensor's disagreement was read; its best is ±1.50 per cent. Solid: the channel read on its own, as its departure from what the camera's white predicts for it; its best is ±4.0 per cent, at 450 nm. Crosses mark centres where the channel read alone does not separate the lamps at all. The two horizontal lines are the red, green and blue design (±1 per cent) and the design with a clear channel (±4 per cent).

A narrow channel has to be read on its own

An ambient sensor with a clear channel tells structured lamps from smooth ones by reading deep red, and one without it reads structure but breaks at one per cent of calibration error. A narrow fourth channel between the camera's peaks was proposed to have both. Pooled into the sensor's disagreement with the camera, it reads structure and breaks at one and a quarter per cent — no better than the design it was meant to rescue. Read on its own, as its departure from what the camera predicts for it, a channel at 450 nm holds to four per cent, the clear channel's figure, and far red does not move it.

imaging · Capture
What a weight fitted under the wrong reading does across ages. If the retina's rod signal has a fixed absolute size and the weight is fitted with the model's scaled reading, the fitted weight is the true one times the ratio of the two readings' signals: ×0.80 at twenty, ×1 at thirty-two, ×1.62 at seventy-five. The other way about, the reciprocal. A cohort of observers sharing one weight would show it as a trend with age.

Age can size the rod signal, if the lens is known

A rod signal leaking into the colour pathways has no natural size in the model: read as a fraction of each cone's own peak it shrinks as the lens yellows, read as a fixed amount it grows relative to the cones, and the two readings differ by a factor of two over a lifetime. An asymmetric match on observers of different ages can tell them apart, because they predict opposite trends: one says a weight fitted at seventy-five will look sixty per cent larger than at thirty-two, the other says it will not move. A handful of observers per age would show it. But a lens mistaken by ten years looks like forty per cent of the weight, and a tenth of an optical density of macular pigment as much again, so the experiment is only as good as what it knows of each eye's lens and macula.

eye · Cones
What each pair of lamps pays to fit the lens and the macula as well. For each pair of lamps, the standard error of the rod signal's S weight fitted from one session — with the observer's lens and macula known (top bar), with the lens fitted too (middle) and with both fitted (bottom). Daylight against the LED is the best pair with everything known, ±0.026, and pays most of its advantage for the macula; tungsten against the LED pays almost nothing for either.

The matches carry their own lens

A lens mistaken by ten years moves a colour match as far as half the rod signal being measured, and a tenth of an optical density of macular pigment as far again, so an experiment on the rod signal looked as if it needed a densitometer for every observer. It does not. Across a family of surfaces the three move the matches in different patterns, and one session of forty-two settings fits all three together — the lens to within a year and a quarter, better than a densitometer was asked for. The price is the weight's precision, and a second pair of lamps nearly removes it.

eye · Cones
What the classifier misses, against what the camera gets wrong. Every lamp as the pair of channels reads it against the camera's mean colour error under it, with its two-matrix profile blended at the lamp's colour temperature. The band is the range of the six smooth census lamps, 1.14 to 1.62. Left of the line the classifier calls a lamp smooth; no lamp there is above the band. The violet-pumped LEDs it misses leave the camera at least as accurate as a smooth lamp does, two of them more so.

The lamps two channels miss are smooth to the camera

A narrow channel at 450 nm tells a phone which lamps are structured, and a white LED pumped in the violet might hide from it; a channel at 500 nm does the same job, and an LED with a cyan emitter should blind it. Reading both and calling a lamp structured if either departs was supposed to cover both families. It covers the cyan family only because the 450 nm channel already did, and half the violet-pumped LEDs escape both channels. Every one that escapes leaves the camera's colours as accurate as a smooth lamp does. What the classifier misses is what the camera does not need to be warned about.

imaging · Capture
Where a lens edge 10 nanometres off goes in a one-session fit. A sixty-year-old observer whose lens edge sits 10 nanometres longer (upper bars) or shorter (lower bars) than the model's, fitted by the model from one daylight-against-LED session: the shift in each fitted parameter, in that parameter's standard errors. The macula takes the most, 2.4 of its standard errors; the weight moves by 0.59 of its own, 0.035 in absolute terms, against a prediction of under a tenth for an edge ten nanometres off.

A lens of the wrong shape lands in the macula

One session of colour matches can fit an observer's rod signal, lens and macular pigment together — but it fits a lens of the model's shape, one exponential in wavelength scaled by age, and a real lens need not be that shape. Give a sixty-year-old a lens with the right density at 400 nm and its edge ten nanometres off, and the fit puts the error mostly in the macula, moves the rod signal's weight by six tenths of its standard error — six times the predicted tenth — and leaves a misfit the session cannot see. A second lamp pair makes it worse: 3.5 standard errors. Fitting the edge as a fourth number removes the bias, costs the weight three to fourteen per cent, and finds the edge.

eye · Cones
Where one session puts a band in the lens, by the band's wavelength. A band of a tenth of an optical density in a sixty-year-old's lens, centred from 410 to 460 nm, fitted from one daylight-against-LED session by the model with weight, lens age, macula and the lens edge free: each parameter's shift in its own standard errors. Near 410 to 430 nm the band is read as lens; from 440 it is read as macula; the edge takes little of it anywhere; and the rod weight moves at every centre, by 0.37 to 1.39 of its standard errors.

A band in the lens reads as age or as macula

A lens whose absorption edge is steeper or shallower than the model's biases a matching session's fit, and fitting the edge's position repairs it. An ageing lens also grows bands: yellow pigments that add a shoulder of absorption just past 400 nanometres. The edge parameter takes none of one. A tenth of an optical density centred at 410 to 430 nm is read as four to six years of extra lens age; centred at 440 to 460, as three to ten hundredths of macular pigment. Either way the rod signal's fitted weight moves, by up to 1.4 of its standard errors in one session and 1.8 in two, and the session's misfit stays within its noise. The lens model has to carry the band, or the experiment has to state what it does not know.

eye · Cones
More rods make a lens band's pull on the rod weight worse, unless the band is fitted. A sixty-year-old's lens with a band of a tenth of a density at 450 nm, fitted by the model with the rod signal a tenth to a half of each cone's peak: the shift in the fitted rod weight, in its own standard errors. With weight, lens age and macula fitted, one session's shift grows from +1.73 at a tenth to +2.53 at a third, and two sessions' more. With the band's amplitude fitted as a fourth number, one session stays under half a standard error at every share.

A dimmer session hides a lens band in the rods

A band of extra absorption in an older lens is read by a colour-matching session as lens age or as macular pigment, and it pulls the fitted rod weight with it. The rods see the lens and not the macula, so a dimmer session, where they carry a third of the signal instead of a tenth, was predicted to tell the band from the macula. It does the opposite. With the band at 450 nm left out of the fit, the rod weight's shift grows from 1.7 of its standard errors to 2.5, the misfit a session could notice shrinks by a third, and the macula and the band trade more tightly. The rods see the band — and the rod weight, which the fit is free to move, is exactly what absorbs it. What separates the band from the macula is fitting its amplitude as a fourth number, which works in daylight already.

eye · Cones
How well a matching session places a lens band's centre. A sixty-year-old's lens with a band of a tenth of a density centred from 410 to 460 nm, fitted with the rod weight, lens age, macula, the band's amplitude and its centre all free: the centre's standard error, from one daylight-against-LED session and from designs adding a second session. One session places the centre to 11.5 nm at worst below 430 and within 5.7 above it; adding the LED against the three-emitter lamp brings every centre within 5.5.

A second lamp pair finds a lens band's centre

A band of extra absorption in an older lens is found by a colour-matching fit only if the fit has a parameter for it, and a band parameter at a fixed wavelength finds only a band near that wavelength. Freeing the band's centre as a fifth number asks whether the matches can place it. From one daylight-against-LED session they place a band above 430 nm to within six nanometres and one below it only to eight to twelve, where moving the band and ageing the lens change the matches together — and there they barely see the band at all. A second session, the LED against a three-emitter lamp, places every centre within five and a half nanometres. The fluorescent tube's line at 436 nm helps where it sits and nowhere else.

eye · Cones
From which starts a fit finds a lens band, two sessions. For a band of a tenth of a density at 415, 430 and 445 nm in a sixty-year-old's lens, the number of twenty simulated experiments of two sessions each in which a fit of all five numbers, started with the band's centre at each of 400 to 470 nm, finds the centre within twice its standard error. The ticks at the left edge are the same count for a fit started at the true observer: 18, 18, 18 for the three bands.

A lost lens band goes to age or the macula

Two colour-matching sessions determine the centre of a band of extra absorption in an older lens to about five nanometres, if a fit can find it. Fitted in full from eight starts across 400 to 470 nm on twenty simulated experiments, two sessions find a band at 415, 430 or 445 nm from every start in fifteen to eighteen experiments of twenty, against eighteen for a fit started at the truth. The prediction was that a low band would be lost from high starts to the macula's flank. The start barely matters with two sessions, and a lost band does go somewhere — but a band at 415 or 430 goes to lens age, three to five years of it, and only a band at 445 goes to the macula. Every loss is a worse fit than the session's best, so eight starts find the band as often as the truth does. With one session the start decides.

eye · Cones
The lens band a fit reports for a macula that peaks off 460 nm. For an observer at sixty with no band in the lens and a macula peaking 6 and 3 nm short of the model's 460, at 460, and 3 and 6 nm long, the band the five-number fit reports from the exact matches, as its amplitude over its standard error, with one and two sessions. A macula 3 nm short is read as a band of 0.061 at 438 nm from two sessions, 3.1 standard errors; a macula peaking long has no band to become, and at 6 nm long the fit runs to the edge of the range a band may take.

A macula three nanometres short is a lens band

Two colour-matching sessions can fit a band of extra absorption in an older lens, its size and its centre, and the test proposed for real older observers was to count those with a band more than twice its standard error. That test assumes a significant band can only be a band. The observer model's macula peaks at 460 nm; a real one is two carotenoids whose mix moves its peak by a few nanometres. Simulated with its macula peaking three nanometres short and no band at all, an observer at sixty is fitted with a lens band of 0.06 at 438 nm, three standard errors, and noisy sessions find it in nineteen of twenty experiments. Six nanometres short, the phantom is larger than the band the earlier essays searched for. The confusion runs both ways: a real band fitted with the macula's peak free reads as a macula two to three nanometres short. Neither fit alone can tell them apart. Comparing the two can, with two sessions — never preferring the macula for a real band, and preferring it in sixteen to nineteen experiments of twenty for a short macula.

eye · Cones
How often a six-number fit finds both departures. For nine observers at sixty, each with a lens band of a tenth of a density at 415, 430 or 445 nm and a macula moved by −3, 0 or +3 nm, the number of twenty noisy experiments in which a fit of all six numbers finds the band beyond twice its standard error, and finds the macula moved beyond twice its standard error — with two sessions and with one. With two, both are found in most experiments wherever both are present; with one, neither is.

A second session keeps a band and the macula apart

A lens band and a macula peaking a few nanometres short look alike to a colour-matching fit that has only one of them, and an older eye may have both. Fitted with all six numbers — rod weight, lens age, macular density, the band's amplitude and centre, and the macula's peak — nine simulated observers at sixty, each with a band at 415, 430 or 445 nm and a macula moved three nanometres either way or not at all, test whether the matches can carry both. The prediction was that the band at 445 and a short macula would trade almost completely, a correlation beyond 0.95 and the band's standard error tripled. That is what one session does: correlations of 0.91 to 0.95 at 430 and 445 nm, and a band found in at most twelve experiments of twenty. Two sessions do not. Their correlations stay between 0.42 and 0.83, the band is found in twelve to twenty experiments for every observer, and a moved macula in twelve to nineteen — while an unmoved one is found moved in at most three. The price of the extra number is paid by the band nearest the macula, whose standard error rises by three quarters; the rod signal pays almost nothing.

eye · Cones
A line on the macula's peak frees the band; one on its flank does not. For the band at 445 nm, its standard error in the six-number fit over its value when the macula's peak is not fitted, with the third session's line at 465 to 510 nm. Two sessions leave it at ×1.78 and a repeated second session at ×1.41. The cyan line at 487 nm leaves it at ×1.51, worse than the repeat; at 465 nm, near the macula's 460 nm peak, it comes to ×1.16, inside the prediction's quarter.

A line on the macula's flank buys less than a repeated session

Fitted with six numbers, two sessions of colour matches keep a lens band and a moved macula apart, but the band at 445 nm pays for it: correlated with the macula's shift at 0.82, its standard error 1.8 times its value when the macula is not fitted. A moved macula changes its long flank past 470 nm, where no lens band reaches, so a third session — the LED against a lamp with a narrow line at 487 nm — was predicted to bring the correlation under 0.6 and the band's error within a quarter of its band-only value. The correlation falls to 0.80 and the error to 1.5 times. A third session that simply repeats the second does better on both errors. The flank line pins how much macular pigment there is, not where it peaks, and it ties the band's height to its centre. Moved to 465 nm, onto the macula's peak, the same session brings the band within about a fifth of its band-only error — but no position of the line brings the correlation below 0.78. The band at 445 nm and the macula's peak are told apart by their short flanks, and a third session adds matches rather than a new kind of evidence.

eye · Cones
A known density frees two sessions, not the line on the peak. For an observer at sixty with a lens band at 445 nm and an unmoved macula, the correlation between the band's amplitude and the macula's shift when the macular density is fitted with the other five numbers, and when it is known exactly and fixed, under two sessions, the second session repeated, and the cyan session with its line at 465 to 510 nm. Fixing the density takes two sessions from 0.83 to 0.62 and the line at 465 nm, on the macula's peak, only from 0.86 to 0.74: the line that freed the band's error best is left with the strongest trade.

Knowing the macula's density frees two sessions, not the line on its peak

Fitted with six numbers, an older observer's colour matches cannot fully split a lens band at 445 nm from a macula whose peak has moved: their correlation stays above 0.78 under every third session tried. The proposal was to measure the macular pigment's density from outside the matches, leaving five numbers, and the prediction was that a line on the macula's peak would then split the pair below 0.6 while two plain sessions stayed near 0.8. It runs the other way. With the density known exactly, two sessions fall from 0.83 to 0.62 and the line at 465 nm only from 0.86 to 0.74. The density was the road the band and the peak traded along — correlated with each at about −0.75 in two sessions' fit — and the designs that had already narrowed that road gain least from closing it. A realistic outside measurement closes almost none of it: the matches already know the density to 0.027, so a flicker measurement good to 0.05 moves the correlation by three hundredths. And far from the macula, at 415 nm, a known density binds the band to the peak more tightly than before.

eye · Cones
Building on the locus does not make a line. Lines in the sensor's departures fitted to LEDs alone, each LED left out and estimated from the others: the free grid's forty-eight, whose whites fell either side of the locus, and the thirty built on it, all together and one pump at a time. Removing the V about the locus brings the merged row from ±0.291 to ±0.282 and the three departures from ±0.298 to ±0.248; only the LEDs pumped at 452 nm, taken alone, fall on a line.

LEDs built on the locus still fall off the line

A camera's colour error under a lamp can be estimated from three narrow channels of a small sensor, read as departures from a smooth lamp of the same colour, and the estimate held for the census's white LEDs, which varied only their blue pump. Rebuilt on LEDs varied freely in pump, converter and red phosphor, it failed: the error was a V about the Planckian locus, and no line in the departures read it. A maker does not let the white fall where it falls, so the proposal was to build the LEDs as a maker does — the converter tuned for each pump and red phosphor until the white sits on the locus — and the prediction was that the V would go and the line return, the census's held-out error to within ±0.15. Thirty of thirty-six such LEDs can be built. On the locus the V is gone and the line is not: the LEDs alone are missed by ±0.25 to ±0.28, the census's lamps by ±0.27. Taken one pump at a time, the departures read the LEDs pumped at 452 nm to ±0.05 and those at 440 and 465 nm no better than ±0.17. Within one pump the LEDs are readable, and across pumps they are not.

imaging · Capture
A density a tenth wrong moves the band by more than its error. For an observer at sixty with a lens band at 445 nm and an unmoved macula, fitted from two sessions with the macular density fixed at 0.8, 0.9, 1.1 and 1.2 times its true 0.35: the bias in the band's amplitude and in the macula's fitted peak, in units of the fixed fit's standard errors. A tenth too high lowers the band by 1.4 standard errors and moves the peak 1.25 nm short; the prediction was a third of a standard error and under half a nanometre.

A density a tenth wrong costs the band more than fitting it

An older observer's colour matches carry a lens band and a macula that can trade against each other, and fixing the macular pigment's density from an outside measurement breaks much of that trade when the density is right. A flicker measurement and a colour match average the pigment over different fields, so the fixed density can be wrong by a tenth or more, and the prediction was that a tenth too high takes about a third of a standard error off a band at 445 nm and moves the macula's peak by under half a nanometre. It takes 1.4 standard errors off the band and moves the peak 1.25 nm short. At 415 nm the same error pushes the band the other way, up by 2.4 standard errors, and runs its fitted centre 5.6 nm shorter and the lens's age three years younger. Bias and error together, a density fixed a tenth wrong gives the band at 445 nm a larger error than leaving the density free; the break-even is about eight per cent. Given as a measurement with its own standard error of 0.03 instead of fixed, the same wrong density biases the band by under half its error.

eye · Cones
Near the macula a wrong density moves every experiment together. For an observer at sixty with a lens band at 445 nm and an unmoved macula, two sessions: each of twenty simulated experiments' fitted band amplitude with the macular density held a tenth low, at its truth and a tenth high. A tenth high moves the band by -0.031 on average with a spread of 0.0024 between experiments; a tenth low by 0.030, spread 0.0022; the band's own standard error is 0.023.

A wrong density shifts every experiment alike near the macula

Read from the expected matches, a macular density fixed a tenth too high lowers an older observer's lens band at 445 nm by 1.4 of its standard errors and raises a band at 415 nm by 2.4. Real experiments carry noise, and the prediction was that their fits scatter about those biases with the fixed fit's own error, so that a tenth's mistake puts the band beyond twice its error in about a third of experiments at 445 nm and two thirds at 415. Twenty simulated experiments per case, each fitted with the density free and held at 0.9, 1 and 1.1 of its truth, give five of twenty at 445 nm and sixteen at 415 under two sessions — eight and eighteen with a line on the macula's peak. Near the macula the bias is a rigid shift: every experiment moves by the first-order amount to within a tenth of a standard error. Far from it the bias is lopsided — up by 0.058 for a density too high, down by 0.032 for one too low — and a density too low erases the band altogether in one experiment of twenty.

eye · Cones
A channel at its own pump reads the long pump better and the short one hardly at all. For the ten locus-built LEDs at each pump: the spread of the camera's colour error, and how far a line in one blue departure — at 440, 450 or 465 nm — with the 500 and 640 nm departures misses it, each LED left out. The 465 nm LEDs fall from ±0.264 with the 450 nm departure to ±0.135 with their own; the 440 nm LEDs from ±0.171 to ±0.149; the prediction was ±0.08.

A channel at each pump cannot see the recipe

Thirty white LEDs built onto the Planckian locus defeat a line in a small sensor's three departures, except within one pump: the 452 nm LEDs are read to ±0.047 by the 450 nm channel, the others no better than ±0.15. The proposal was a channel at each pump — 440 and 465 nm beside the 450 — and the prediction that each pump's LEDs would be read from their own channel within ±0.08. The 465 nm LEDs' own channel halves their miss, to ±0.135; the 440 nm LEDs' moves it from ±0.171 to ±0.149. No line in any three of the five departures reads either pump better than ±0.1. Yet the camera's error is simple: a line in what each LED is made of — its red phosphor, its colour temperature and their product — reads every pump within ±0.07, the 440 nm LEDs to ±0.043. The error is easy; the channels cannot see the recipe that sets it. Knowing each LED's pump halves the pooled miss, to ±0.119, and two blue channels can tell only one pump of three from the others.

imaging · Capture
Two LEDs of one colour, one with a red phosphor. Two white LEDs pumped at 452 nm, both on the Planckian locus at 4,000 K: one with no red phosphor and its converter peaking at 579 nm, one with the full red phosphor and its converter pushed to 529 nm, drawn at equal total power. The red phosphor adds light past 620 nm and the shorter converter takes it away from 570 to 610, so a channel anywhere in the red sees the two changes together.

The converter gives the red phosphor away

A camera's error under white LEDs built onto the Planckian locus is simple in what each LED is made of — its red phosphor and its colour temperature — and a small sensor's narrow departures cannot read the red phosphor. The proposal was a channel at 610 nm, where a garnet converter falls and a red phosphor rises, and the prediction that it reads the red-phosphor strength within a tenth of its range. Within a pump it reads nothing: ±0.36 to ±0.43 at 440 and 452 nm against a spread of ±0.36, and no red channel from 600 to 680 nm does better than ±0.22. The reason is the locus. To keep the white's colour, each step of red phosphor pushes the converter's peak shorter, by 29 to 55 nanometres from none to the most, and in every red channel the two changes cancel. What survives is the converter: the 600 nm departure reads its peak to ±5 nm. Read across all thirty LEDs at once, the converter gives the red phosphor away — ±0.12 — and the error read through that estimated recipe comes within ±0.08 at every pump, the 440 nm LEDs at ±0.078, half their own channel's miss.

imaging · Capture
One session, two valleys: the macula where it is, or far short. For the observer with a band at 415 nm and an unmoved macula, one session: each of twenty experiments' census fit in band amplitude and macula peak, and, for the 7 the census missed, the better fit, joined to the census's. Every better fit puts the macula seven to nineteen nanometres short: a second valley in which a macula moved far short does part of the band's work.

One session has a second valley

Every essay on older observers since the second session has read its fitted lens bands and macula shifts from one census: nine simulated observers, three designs, twenty noisy experiments each, every fit a damped descent from two starts. Two of forty experiments refitted in the last essay found a better fit than the census had. The prediction was that the census misses one fit in twenty, almost all where the band is small, and that the misses change no count it reported by more than a few hundredths. Refitted from three more starts, 66 of its 540 experiments have a better fit — 45 of 180 under one session, 9 and 12 under two and three. Sixty of the 66 better fits move the macula's peak more than two nanometres further short, most shrinking the band, and 31 lie lower by under one unit of χ²: a second valley, nearly level with the first. Two sessions' counts stand to within one or two experiments. One session's do not: with the best fits an unmoved macula is reported moved in eight experiments of twenty, where the census said one.

eye · Cones
Off the locus, the 600 nm line reads the red as well as on it. For white LEDs built on the Planckian locus and at a Duv of −0.003 and +0.003, the red-phosphor strength read from the 600 nm departure, the mireds and their product by the line learned on the thirty locus LEDs, less the true strength. On the locus, each left out, it misreads by ±0.120; below the locus by ±0.110 and above by ±0.117, reading too little below and too much above.

Beside the locus the converter still gives the red away

On the Planckian locus, a white LED's red phosphor pushes its converter to a shorter peak, so an ambient sensor's 600 nm departure, which reads the converter, reads the red phosphor too — within ±0.12 of a spread of ±0.36 — and through it the camera's colour error within ±0.074 ΔE₀₀. Real LEDs are binned a few thousandths off the locus, and the prediction was that a Duv of 0.003 moves the converter about as far as a fifth of the red phosphor does, so that the line learned on the locus misreads off-locus LEDs by a fifth of the range and their error falls back to ±0.12. The converter moves under two nanometres. The line reads the off-locus LEDs' red within ±0.11 and ±0.12, as well as it reads the locus's own held out — with a bias of about a twentieth that follows the Duv's sign. The error reads a third to a half worse, ±0.096 and ±0.107, and most of that is the camera's error itself moving off the locus with nothing in the recipe changed.

imaging · Capture
Only a curve per temperature brings the bin back. The camera's colour error under eighty-nine white LEDs — thirty on the Planckian locus, fifty-nine at a Duv of ±0.003 — read through the red phosphor estimated from the 600 nm line and an error line within each pump, each LED left out, as the Duv enters the lines in turn: not at all, as one term, as a slope in mireds, as a slope for each temperature, and as a slope and a curve for each. Beside them the line learned on the locus alone. With a slope and curve per temperature: ±0.073 on the locus, ±0.056 below, ±0.048 above.

Across a bin, the camera's error bends with the temperature

White LEDs a Duv of 0.003 off the Planckian locus have their red phosphor read by an ambient sensor as well as LEDs on it, and their camera colour error read a third to a half worse, because the error itself moves with the Duv. The prediction was that one Duv term in the error's line, learned over all eighty-nine LEDs, brings those beside the locus back to the locus's ±0.074 ΔE₀₀ and costs the locus LEDs nothing. One term buys little: ±0.109 below the locus and ±0.085 above. The error turns across the locus one way at 2,700 K and the other at 4,000 and 6,500 K, and bends most where it is warmest, so the Duv has to enter as a slope and a curve for each temperature — ten numbers a pump, not five — before both sides come back, to ±0.056 and ±0.048. That line then reads the locus LEDs at ±0.073, worse than the ±0.062 a line with no Duv in it manages once it is learned across the bin.

imaging · Capture
Bounded, one session stops finding a macula that never moved. For the three bands with the macula unmoved, how many of twenty one-session experiments report it moved beyond twice its standard error: from the census's two starts, from the best of five starts, and from the best of five with the shift held within ±6 nm. The bound brings the false shifts at 415 and 430 nm from 8 and 6 to 1 and 2.

A bound on the macula trades false moves for hidden ones

Fitted thoroughly, one session of an older observer's colour matches finds a second valley in a quarter of its experiments — the macula's peak moved ten or more nanometres from the model's, where no real macula sits — and reports a moved macula where there is none in up to eight experiments of twenty. The prediction was that holding the macula's shift within six nanometres either way, the range real pigment mixtures span, restores every observer's one-session counts to within two of the census's and leaves about one fit in four pressed against the bound. The false moves vanish: an unmoved macula is reported moved in one, two and one experiments of twenty for the three bands, against eight, six and two unbounded. Seven of nine observers keep their count of moved maculas within two of the census's. But only one fit in six ends on the bound, and beside the band at 445 nm the bound hides real moves: a macula truly three nanometres short is found in three experiments of twenty, where the census found seven. Two sessions barely notice the bound.

eye · Cones
The prior trades the macula's moves for the lens band. For each observer, how many more experiments of twenty find the lens band under the prior than under the census's fits, against how many more find the macula moved. The observers moved short or unmoved gain up to seven bands and lose one to five moves — false ones where the macula never moved, real ones where it did; those moved long gain no band and lose one or two moves, the 445 nm observer losing three bands as well.

A soft prior on the macula frees the lens band

One session of an older observer's colour matches, fitted thoroughly, can drift into a valley where the macula's peak sits ten or more nanometres from any real eye's, and a hard bound at ±6 nm removes those false moves at the cost of hiding some real ones — beside a lens band at 445 nm, a macula truly three nanometres short is found in three experiments of twenty where the census found seven. The prediction was that a Gaussian prior four nanometres wide, which lets a fit go further when the matches insist, keeps the false moves away and restores those real ones. It keeps the false moves away — none, one and one for the three bands. It does not restore the real moves: it finds them as seldom as the bound or more seldom, two of twenty beside 445 nm, because it pulls every fitted shift towards nought, to a mean of 1.2 to 1.9 nanometres for moves of three. What it buys instead is the lens band. With the macula held near the standard, the band beside it is found in ten to twelve experiments of twenty, where the census found three to seven.

eye · Cones
Each widening of the prior buys moves with bands. Over the six observers whose macula truly moved three nanometres, the real moves one session finds beyond twice their error, against the lens bands found for the four observers whose band the four-nanometre prior freed — under priors four, six and eight nanometres wide, the census's own fits and the hard bound. 4 nm: 14 moves, 44 bands; 6 nm: 22 moves, 34 bands; 8 nm: 25 moves, 25 bands; census 27 and 22; bound 19 and 20.

A wider prior gives the moves back by spending the band

One session of an older observer's colour matches, fitted under a Gaussian prior four nanometres wide on the macula's peak shift, finds the lens band beside the macula in ten to twelve experiments of twenty and real three-nanometre moves of the macula as seldom as a hard bound does. The prediction was that a prior six nanometres wide keeps the false moves at two or fewer, finds the real moves within two of the bound's counts and keeps two thirds of the band's gain, and that at eight the far valley reopens at 415 nm. Three parts hold. The fourth fails: six nanometres keeps 55 per cent of the band's gain. Read across the widths the prior traces one trade — 14 real moves and 44 bands at four nanometres, 22 and 34 at six, 25 and 25 at eight, against the unconstrained fit's 27 and 22 — and the hard bound, at 19 and 20, is worse than six nanometres on both.

eye · Cones
Even two sessions fall into the far valley, and the prior lifts them out. For the observer with its band at 415 nm and its macula truly three nanometres short, every two-session experiment's fitted shift at the best of five starts and under a prior six nanometres wide. Three best fits lie beyond 7.5 nm short — −11.84 drawn to −1.90, −7.73 drawn to −3.05, −11.00 drawn to −0.94 — and the rest move by a tenth or two; the mean goes from −3.89 to −2.57.

A second session leaves the prior one job

Under one session of an older observer's colour matches, a prior on the macular pigment's peak shift trades the lens band against real moves of the macula, six nanometres wide at the knee of the trade. Two sessions already find the band in twelve to twenty experiments of twenty and real three-nanometre moves in twelve to eighteen, and still report an unmoved macula moved in two to three. The prediction was that the six-nanometre prior, applied to two sessions, removes those false moves and costs nothing else. It removes none of them — two, two and none remain, about the rate at which a test at twice the standard error calls a move by chance. It costs nothing at five observers of six. Beside 415 nm, with the macula moved short, it finds four fewer moves: three of the best fits there were in the far valley, eight to twelve nanometres short, and counted as moves because their sign was right. With two sessions the far valley is the prior's only remaining job.

eye · Cones
A third session finds the band beside the lens's edge. For each observer, how many of twenty experiments find the lens band beyond twice its error and within 20 nm of where it was put: two sessions under the six-nanometre prior, and three sessions at their best of five starts. Beside 415 nm with the macula unmoved, two sessions find it in 12 and three in 18; beside 430 nm with the macula short, 20 and 16.

A third session finds the edge band and counts bands misplaced

Two sessions of colour matches find an older observer's lens band in eighteen to twenty experiments of twenty at every place but one: a band at 415 nm, beside the lens's own short-wave edge, found in twelve. The prediction was that a third session — a phosphor LED set against a lamp with a cyan line — finds it in at least seventeen, and that the experiments losing it under two sessions fit the lens three or more years old. Three sessions find it in eighteen, and every loss under two did fit the lens older, but by under three years in five of eight. The count hid something else. It credits a band wherever a fit puts it, and up to twelve of 180 fits put it sixty to eighty nanometres from its place, on the macula's long flank. With three sessions the six-nanometre prior no longer closes that valley.

eye · Cones
Held near the lens, the band is found where it was put. For each observer, how many of twenty three-session experiments find the lens band beyond twice its error and within 20 nm of its place, with its centre free to range from 390 to 500 nm and held to 400–460. Beside 415 nm the bounded fits find it in 19, 20, 19 with the macula short, unmoved and long, against 16, 18, 15 free.

A band held near the lens closes the valley the prior could not

Three sessions of colour matches find an older observer's lens band beside the lens's own edge as predicted, but twelve of 180 fits place the band sixty to eighty nanometres away on the macula's long flank, each with the macula fitted far short — a valley the six-nanometre prior on the macula's shift no longer closes. The prediction was that holding the band's centre to 400–460 nm, where a lens band can be, empties that valley, finds the 415 nm band with the macula short in at least eighteen experiments, and raises the moves found beside 430 nm from nine to twelve. The first two hold: no fit is left in the valley, and the band is found in nineteen. The third does not: 430 nm stays at ten. And the valley turns out to have been nearly level with the truth — holding the band costs ten of the twelve fits under four units of the fit's chi-squared, and every one's macula comes home.

eye · Cones

Named alongside it

The objects these essays reach for when they reach for this one.

Macular pigmentLens yellowingModelling assumptionStandard errorCamera rawLeast-squaresDegrees of freedomCalibrationCone fundamentalsHeld-out validationWhite balanceBasis

All concepts