ΔEITP — where it appears
Named by 7 essays across 2 fields — each of them below, with the objects they name alongside it.
Seven channels end the trade and lose the tube
A three-channel ambient sensor fitted to a room's forty-seven lights trades its error on LEDs against its error on lamps, and a fourth channel moved that trade without closing it. The prediction for more channels was that six, spread from 445 to 650 nm, bring every lamp, mixture and LED under a ΔEITP unit with the lamps within 0.0025 in the CIE 1960 plane, and that nothing short of eight reads the halophosphate tube. Six channels leave the 2,200 K lamp beyond a unit and the lamps at 0.0040; seven bring every lamp, mixture and LED in, with the LEDs and lamps both under 0.001, and the trade is gone — both families improve together. The halophosphate tube is read from six. But the triphosphor tube, held out of its own fit, is read only by three and four broad channels and lost by every finer sensor, its tint growing to thirty-three units at twelve channels. A sensor learns the lights it was fitted on, and a finer one extrapolates further from a light with no relative in the census.
Relatives, not twins, teach a sensor a tube
An ambient sensor of seven evenly spread channels, fitted to a room's forty-seven lights, reads every lamp, mixture and LED within a ΔEITP unit with each held out of its own fit, and loses the triphosphor tube, which nothing else in the census resembles — thirty-three units out at twelve channels. The prediction was that four triphosphor siblings, the same phosphors mixed for 3,000 to 5,000 K, would bring the tube within a unit at seven and eight channels and stop its rise past eight. They do both: the tube reads at 0.04 with seven channels and 0.06 with twelve, and seven or eight channels then read all fifty-one lights. A twin is not what does it. Three siblings, every one warmer than the tube and the nearest sixty mireds from it, read it within a unit at every count from five. What the siblings cost is paid at the finest sensors: at twelve channels the Planckian lamps' worst error rises fivefold, while from five to eight it moves by under a quarter.
An appearance model sees the per-channel sky turn twice as far
BT.2390's tone curve, applied to each channel of a 1,000 cd/m² master shown on a 100 cd/m² display, raises a sky-blue's green share from a tenth to 69 per cent of its blue and turns its ICtCp hue 23°, where the same curve applied to the largest channel with all three scaled keeps the hue within 3°. ICtCp's hue is not an appearance, and the prediction was that CIECAM16, read under the display's own white, still shows the per-channel turn as more than twenty hue-quadrature units and more than ten ΔEITP, the scaled curve under three of each. The appearance model sees it as fifty-two units, more than half the way from unique blue to unique green, and its lightness more than doubles. The scaled curve keeps hue and lightness to a quarter of a unit. And ΔEITP between master and display ranks the two curves backwards: in absolute light the per-channel sky is the nearer one.
Seven channels carry their noise as lightly as three
An ambient-light sensor of seven narrow channels, fitted to a room's forty-seven lights and four triphosphor siblings, reads every one of the fifty-one within a ΔEITP unit of a dim moon picture's tint, each light held out of its own fit. A fine sensor was expected to read chromaticity from small differences between neighbouring channels, with large weights of both signs that multiply every channel's noise. The prediction was that seven channels stay within a unit at a quarter of a per cent of channel noise and are no better than five at one per cent. The first half holds. The second fails completely: at one per cent seven channels still read every light's every one of a hundred readings within a unit, while five lose twenty-two lights. The premise was wrong. Seven channels' matrix barely cancels — its contributions sum with one sign — and per unit of noise it moves the reported chromaticity no more than three broad channels do.
A tilt moves every light's reading alike
An ambient-light sensor of seven narrow channels reads all fifty-one of a room's lights within a ΔEITP unit of a dim moon picture's tint and keeps them there through one per cent of independent noise on every channel, because its matrix barely cancels. A drift shared by the channels does not average out: as a photodiode warms its response tilts, rising at long wavelengths and falling at short. The prediction was that a tilt reaching ±1 per cent at the ends of the range leaves the seven-channel sensor within a unit for every light and that the twelve-channel sensor, whose Z row cancels, loses more lights than seven at every tilt. Seven channels hold to ±2 per cent, the worst light at 0.56. Twelve loses two lights at every tilt — the two it misreads with no tilt at all — and none to the tilt. Every sensor's reported chromaticity moves by about seven ten-thousandths in u′v′ per per cent of tilt, every light nearly the same way.
A dark offset pulls every light toward one colour
An ambient sensor of seven narrow channels reads all fifty-one of a room's lights within a ΔEITP unit of a dim picture's tint through independent noise and a gain tilt, because its matrix barely cancels. A dark current is different again: it adds the same signal to every channel whatever the light, and at the dim end of a room's lighting it is a larger share of a weak channel than of a strong one. The prediction was that an offset of a quarter of a per cent of the strongest channel costs the seven-channel sensor lights, while three broad channels move least. Seven channels hold every light to two per cent. Three move furthest. And the offset does something simpler than either sensor's design suggests: it draws every light's reading straight toward the one colour the sensor reports for equal signals in every channel.
A light's distance from the equal-signal colour sets when it goes
An uncorrected dark offset draws every light an ambient sensor reads straight toward the one colour its matrix reports for equal signals in every channel, and a seven-channel sensor holds the room's fifty-one lights within a ΔEITP unit to an offset of two per cent of each light's strongest channel. The prediction was that the first light goes near three per cent and is the warmest, that each light's crossing offset falls with its distance from the equal-signal colour, and that two readings a light predict its crossing within a fifth. The warmest goes first — the 2,200 K radiator — but at 2.1 per cent. The twelve 2,700 K LEDs go together, between 3.9 and 4.4. Crossing follows distance at r = −0.93, and a straight line through each light's tints at one and two per cent predicts its crossing within 8 per cent, always early. Below half a per cent nothing moves at all.
Named alongside it
The objects these essays reach for when they reach for this one.
Held-out validationColour-matching functionsLinear modelShot noiseSignal-to-noiseColour differenceFluorescentLeast-squaresWhite LEDColour appearance modelHue quadratureThe Hunt effect