Ultraviolet — where it appears
Named by 22 essays across 9 fields — each of them below, with the objects they name alongside it.
The tables do not stop together
This collection integrates from 380 to 780 nanometres, and decided once, in writing, that the range could not honestly be widened. The argument was correct at the long end and wrong at the short one — the CIE publishes the daylight basis from 300 nanometres, and publishes it from there for exactly the reason it matters.
A reflectance is a diagonal
A reflecting surface returns light at the wavelength it arrived at, so its whole description is one number per wavelength. A fluorescent one returns it somewhere else, so its description is a square matrix — and the curve every instrument reports is that matrix's diagonal with the rest of it folded in at whatever weight the lamp happened to give.
The eye stops at the lens
Neither standard observer is tabulated below 360 nanometres, and the reason is not that the photopigments stop absorbing there. It is that the light never arrives — the cornea and the crystalline lens take it — so the short-wave limit of human colour vision is a piece of optics, it moves by a factor of twenty across a lifetime, and it can be surgically removed.
The eye weights where the light is not
A brightened sheet returns a quarter more light than arrives at 430 nanometres, and it is three tenths of one per cent brighter for it. The luminous efficiency function is 0.017 there against 1.0 in the middle of the band, so the whole effect lands in the blue-yellow axis — brighter than white is a colour claim wearing a brightness word.
Two sheets that match until the window
Ordinary metamerism is two reflectances that agree under one light and not another, and it can always be undone by putting the first light back. A dyed sheet and a brightened one have the same reflectance everywhere an eye can see, agree exactly under any lamp with no ultraviolet, and separate by ten units under daylight — and no change of light puts them back together.
The window is part of the light
A viewing condition here has always been a spectrum and a geometry. For anything fluorescent it needs a third thing — the transmittance of whatever the daylight came through — because ordinary window glass, a laminated windscreen and a museum filter remove three quite different parts of the band a brightener eats, and the sheet is a different colour behind each.
An instrument brings its own light
ISO 13655 names four measurement conditions and they are usually read as four degrees of care. They are not. They are four different quantities — on an unbrightened sheet all four agree to a rounding, and on a brightened one they are up to seven and a half units apart, with every instrument in calibration and every answer correct.
A proof cannot glow
A proof is a different sheet of paper pretending to be the production one, and the pretence works by adding ink until the two agree. It cannot work for a brightened stock, because the direction the proof has to travel is towards more blue at the same lightness and every ink a proofer owns moves it towards less light instead.
Whiteness is mostly the lamp
The CIE whiteness formula ranks white samples the way people do, which is what it was built for and is not in question. What is in question is what it is a measurement of — take the ultraviolet out of the instrument and 82 per cent of the scale collapses, because the part that separates a premium sheet from an ordinary one was contributed by the lamp.
A tolerance cannot cross a condition
If two measurement conditions disagree by seven units, the obvious repair is a correction matrix fitted between them. The best least-squares 3×3 over seventeen printed patches leaves 23 per cent of the disagreement and makes five patches worse than doing nothing — because the term it is trying to remove is proportional to how much paper is showing, and no linear map on three numbers can express that.
A camera cannot record the excitation
Two lamps of nearly the same chromaticity, one with ultraviolet and one with none, put a brightened sheet twelve units apart after a perfect white balance. Nothing in the camera measured the difference — the filter stack removed the band before the sensor saw it — so the correction that would fix the picture needs a quantity the file does not contain.
The lamp that stopped emitting ultraviolet
A blue-pumped white LED has a die at 450 nanometres and emits nothing shorter. Between about 2005 and 2020 that lamp replaced almost every other indoor source, which removed the excitation supply from a great many rooms — so brightened materials stopped glowing indoors without a single one of them being reformulated.
The brightener is being used up
The molecule that absorbs an ultraviolet photon occasionally does something other than re-emit it, and what it does is break. So a sheet's whiteness has a half-life, the fall is steepest at the start, and a specification quoting a whiteness figure without a date is quoting a property of a sheet that no longer exists.
The band below four hundred
The pigment template every observer here is built from carries a second, smaller absorption band in the ultraviolet, published at 0.26 of the main one. Dialling it from nothing to twice that moves the median observer monotonically away from the standard one, with no interior optimum — which is what a physical constant looks like when nothing downstream is pulling it anywhere.
The ultraviolet is half the product
A fluorescent sample's departure from the reflectance model is exactly proportional to the ultraviolet the lamp carries — to twelve figures, over a range that includes zero. It is the only one of the round's four departures that really is a product of two magnitudes, and the reason is a rule about how molecules relax rather than anything about arithmetic.
The grid is a range, not an index
Three of the four departures in this round restore an argument the model dropped. The fourth does not — the 380-to-780-nanometre grid is the range of the one argument the model kept, chosen in the first weeks and never revisited. It costs 6.70 ΔE₀₀ on a coated printing paper, it is the cheapest of the four to fix, and it is the one still unfixed.
Two ends and one is empty
Extending this collection's wavelength range down to 300 nanometres moves a red pigment under daylight by 0.502 ΔE₀₀. Extending it up to 830 moves the same colour by 0.00015. A fifth of a thermal source's power lies outside the range and almost none of its colour does, and confusing those two shares is how a range gets argued about instead of measured.
The grid under the census
The adaptation census is computed on eighty-one wavelengths from 380 to 780 nanometres. Under the daylight and blackbody sources it uses, the range is worth about half a colour difference on ordinary surfaces and the step about a twentieth — so the census carries a tabulation term as well as an observer one, and they are not the same size.
A lamp is two audits at once
A lamp's ultraviolet content decides what its tabulation costs and its blue content decides what its observer costs, and the two run in opposite directions with colour temperature. So no lamp is good for both audits and no lamp is bad for both, and a single figure of merit for either is a figure of merit for one property of a spectrum.
A thin dot edge lets the glow back in
A pale tint printed on brightened paper keeps part of its hue turn however fully a reader adapts to the sheet — ten degrees for a fifth-coverage orange where a non-fluorescent sheet of the same colour leaves three — because the ink's vehicle puts out the brightener's glow under the solid and the tint's bare paper keeps it. That census gave every dot a uniform film. A real dot thins at its edge, a thin film lets ultraviolet through, and at the pale end of a ramp most of a dot is edge. The prediction was that the edge would restore the glow under the tint's dots, shrink the residue by a third at a fifth coverage and move the worst of it to the mid-tones. The edge does restore the glow — nine times as much under a small dot with a twelve-micrometre rim. And the residue grows: 6.8 degrees to 7.9 at a fifth coverage, 7.2 to 9.0 at a twentieth. The residue is the tint glowing where the solid does not, and more glow under the tint's dots is more of the difference. The palest tint keeps the most, with or without an edge.
Stochastic dots hold the glow at every tint
On brightened paper a halftone tint keeps a hue turn that a reader fully adapted to the sheet cannot remove, because the paper's glow survives under the ink where the solid puts it out, and a dot's thin edge lets more of it back. A dot's size at a given coverage is set by the screen. Across conventional rulings from 100 to 300 lines the residue rises at every coverage for every pigment, a finer screen making every dot more edge. A stochastic screen of twenty-micrometre dots holds it flat — the orange within a quarter of a degree from five per cent to sixty, starting where a 300-line screen starts — as predicted. What the prediction did not say is where the switch costs: not the pale tints, by under a degree, but the mid-tones, by three or four, because a conventional screen's mid-tone dots are large and mostly full film. On ten-micrometre dots, all edge, the ramp turns over and the mid-tone keeps more than the pale tint. At any one coverage the residue is set by the dot's diameter alone, whichever screen printed it.
Merged spots give the mid-tones half the glow back
On brightened paper a halftone tint keeps a hue turn a reader adapted to the sheet cannot remove, and a stochastic screen's small dots, being mostly thin edge, keep it high along the whole ramp — three times the 150-line screen's cost in the mid-tones. That census kept every dot separate. A real stochastic screen's spots touch and merge, and a shared edge between two spots is no edge of the ink. The prediction was that a merged screen would follow the separate-dot curve to about thirty per cent and then fall towards the conventional screens, giving back half the mid-tone cost by sixty. It does, almost exactly. Square spots twenty micrometres on a side, switched on in a dispersed order, stay apart up to a fifth coverage and start touching near thirty per cent; by sixty, nine in ten touch, the rim has fallen from 84 per cent of the ink to 50, and the merged screen keeps the orange's residue at 6.9 degrees against the separate spots' 8.6 and the 150-line screen's 5.7 — giving back 58 per cent of the cost. Every pigment gets back the same share, 55 to 58 per cent, because the share is set by the geometry of the ink, not by its colour.
Named alongside it
The objects these essays reach for when they reach for this one.
FluorescenceOptical brightenersIlluminantMeasurement conditionRadiance factorWavelength gridIntegrationSpecificationStandard observerAssertionChromatic adaptationHalftone