Colour rendering — where it appears
Named by 9 essays across 2 fields — each of them below, with the objects they name alongside it.
The illuminant is half the answer
An object has a reflectance, not a colour. The colour appears when a specified light falls on it, which is why two surfaces can match in a shop and clash outside, and why every serious matching standard names the light.
A lamp is not a blackbody
A fluorescent tube puts a third of its light into four mercury lines. A white LED is a blue spike with a hole beside it. Both are sold by a colour temperature, and a colour temperature says nothing about either.
What a lamp cannot give back
Six hundred and eighty-three lumens per watt is not a measurement of anything. It is the definition of the candela, it is a ceiling no white light can approach, and the distance between a lamp and that ceiling is mostly the price of being able to see what colour things are.
The lamp in the shop decides
Two packages printed to the same specification, verified under the same standard illuminant and passed, can differ by nearly seven colour differences on a shelf under a tungsten lamp. Nothing went wrong at either press. The specification named one light, the separations that satisfy it are metamers of one another, and the shop chose the second light.
Two lamps do not average
Light adds, band by band, and every number a lamp is sold by is a projection of the sum rather than a sum of the projections. Two radiators sitting exactly on the Planckian locus mix into a light that is measurably pink; two poor lamps mix into a better one than either.
A screen is a poor lamp
A display's white is a light. Shone on a surface it renders colour worse than a fluorescent tube — and the wider the gamut, the worse it gets, because the narrow primaries that buy a large triangle are exactly the ones that leave holes in the spectrum.
A lamp has a direction
A white LED is a blue die under a converter, and light leaving at an angle has travelled further through the converter than light leaving straight up. So the mixture is different in every direction, the beam is bluer in the middle than at its edge, and the number on the box is one direction's worth of a device that has no single colour.
The index is one observer's opinion
A colour rendering index is printed to a tenth of a point and computed for a single set of colour-matching functions that no standard names as a choice. Scored by two hundred eyes instead, one lamp's spread is wider than the whole range the standard observer puts five lamps in — and two lamps the standard separates by four tenths of a point come out the other way round for every member of the population.
The colour is right first
A reconstruction of a lamp from twelve filtered readings gets its colour right to half a unit while two thirds of its spectrum is still unmeasured. That combination is not a partial success — it is the exact condition under which a spectral prediction made from the reconstruction will be confidently wrong.
Named alongside it
The objects these essays reach for when they reach for this one.
IlluminantSpecificationSpectral power distributionCorrelated colour temperatureMetamerismColour constancyFluorescentIlluminant metamerismLED emissionQuality controlWhite LEDAcceptability