Concept

Correlated colour temperature — where it appears

The temperature of the blackbody whose colour a lamp comes nearest, used as a one-number summary of a light's appearance. It says nothing about how far off the Planckian locus the lamp is, which is why a second number is always needed beside it.

Named by 29 essays across 6 fields — each of them below, with the objects they name alongside it.

Blackbody spectra from Planck's law, 2000 to 10000 K. Each curve is computed from Planck's law and normalised to its own peak. The peak moves toward shorter wavelengths as temperature rises. Only two of these radiators peak inside the visible band at all — a 2000 K source peaks at 1449 nm, far into the infrared, and merely rises toward the red across everything shown here.

Blackbody and the colour of temperature

Heat something and it glows, in a colour fixed by its temperature alone. Planck's law gives the whole spectrum from one number, and the Planckian locus is the only curve in colour science derived from physics rather than from measurements of people.

light · Light
triphosphor fluorescent — three narrow phosphors plus the mercury lines, and the white it produces. The spectral power distribution of a triphosphor source, normalised to its own peak, and the colour a perfect white reflector takes under it: chromaticity (0.3379, 0.3389), correlated colour temperature 5258 K at Duv -0.0035. The white looks ordinary. The spectrum producing it does not.

A lamp is not a blackbody

A fluorescent tube puts a third of its light into four mercury lines. A white LED is a blue spike with a hole beside it. Both are sold by a colour temperature, and a colour temperature says nothing about either.

light · Light
Colour temperature, and the number nobody quotes beside it. The Planckian locus in the 1960 UCS diagram — the only diagram on which correlated colour temperature is well defined — with four sources and the perpendicular from each to its nearest point. The temperature is where the foot of the perpendicular lands; Duv is how long the perpendicular is. halophosphate sits 0.0246 off the locus at 4513 K, which is a visible green cast that its colour temperature does not mention.

The sun is not one illuminant

Daylight is not a blackbody and is not one spectrum. It is a one-parameter family reconstructed from three measured basis functions, its chromaticities lie on a curve that is near the Planckian locus and not on it, and the difference is the reason a colour temperature needs a second number beside it.

light · Light
The two components of daylight, computed from one radiator and one scattering law. A 5800 K radiator through the atmosphere at air mass 1. The direct beam is the radiator times e^{−τm}; the sky is what that extinction removed, so the two are complements and neither needs its own model. The sky is steeply blue because τ ∝ λ⁻⁴, and a surface in shadow is lit by that component alone. Open ground and shadowed ground therefore sit under two illuminants differing by ΔE00 = 21.4 — which is why a photograph of snow has blue shadows and why no single white balance fixes both halves of it.

A shadow has its own illuminant

Outdoors there are two lights, not one. The direct beam is a radiator reddened by the atmosphere; the sky is precisely the power that reddening removed. A shadow is lit by the second alone, so shadowed ground and sunlit ground sit under illuminants 21 units of ΔE apart — before any surface, any eye or any opinion is involved.

scene · Scene
Mixtures of 2700 K and 6500 K, on the diagram colour temperature is defined on. Both sources are Planckian radiators, so both sit exactly on the locus. Every mixture of them lies on the straight line between them, because mixing is addition and chromaticity is a projection of it — and the locus is curved, so the line is a chord. The equal mixture sits -0.0064 off the locus at a correlated colour temperature of 3953 K: a light that is measurably pink, specified by a number that says nothing about it.

Two lamps do not average

Light adds, band by band, and every number a lamp is sold by is a projection of the sum rather than a sum of the projections. Two radiators sitting exactly on the Planckian locus mix into a light that is measurably pink; two poor lamps mix into a better one than either.

light · Light
Colour temperature, and the number nobody quotes beside it. The Planckian locus in the 1960 UCS diagram — the only diagram on which correlated colour temperature is well defined — with four sources and the perpendicular from each to its nearest point. The temperature is where the foot of the perpendicular lands; Duv is how long the perpendicular is. halophosphate sits 0.0246 off the locus at 4513 K, which is a visible green cast that its colour temperature does not mention.

White is a region

A lamp is not sold as a chromaticity. It is sold as 4000 K, and what that means is that its chromaticity fell inside a quadrangle — which two lamps can occupy at opposite corners, eleven ΔE00 apart. In a room with either of them, the same twelve surfaces differ by one unit.

light · Light
The colour of a beam, against the angle it leaves at. A conformal converter — an even layer laid straight onto the die — makes light leaving at θ cross 1/cos θ times as much of it, so it is more completely converted and the beam is warmer at its edge. From the axis to 75° the correlated colour temperature falls by 556 K and the whole difference is ΔE00 16.4. The flat line is the same emitters under a dome, whose path length is the same in every direction by construction: no angular colour at all, exactly, which is what a remote converter is sold for.

A lamp has a direction

A white LED is a blue die under a converter, and light leaving at an angle has travelled further through the converter than light leaving straight up. So the mixture is different in every direction, the beam is bluer in the middle than at its edge, and the number on the box is one direction's worth of a device that has no single colour.

light · Light
Dimmed to a fiftieth, three ways. Switching a lamp on and off faster than anyone can see scales the spectrum and changes nothing else, so its colour temperature is a horizontal line and its chromaticity moves by 7.3e-14 ΔE00 — exactly, to floating point. Reducing the drive current moves the die's peak and cools the junction, which moves the mixture: ΔE00 3.5 across the range. A filament has no spectrum of its own to move; it is a blackbody at whatever temperature the power leaves it at, and it falls 1672 K. Three methods, one instruction, three colours.

Three ways to dim a lamp

"Dimmed to ten per cent" names three different colours. Switching the lamp on and off faster than anybody can see changes the chromaticity by nothing at all — exactly, to floating point. Reducing the current moves it a few units. Reducing the power to a filament moves it eighteen hundred kelvin down the Planckian locus, and stays on the locus exactly the whole way.

light · Light
A lamp switched on, and what it is still doing minutes later. The junction warms from ambient to 80 °C with a time constant of 150 seconds, and three quoted slopes act as it does: the die's peak moves, the die loses efficiency, and the converter loses quantum yield. The output falls 25 per cent and the colour moves ΔE00 2.6. Nine tenths of the way takes 405 seconds. The vertical mark is the eye's own slow adaptation constant, 60 seconds, for scale.

A lamp switched on is not the lamp measured

A luminaire takes about seven minutes to reach nine tenths of its working temperature, loses a quarter of its output on the way, and moves ΔE00 2.6 while it does. That is slower than every clock in the eye — so for the first minutes after a switch is thrown, both ends of the measurement are moving, and every appearance claim here has assumed one of them was still.

light · Light
A surface in a room, from the moment the light goes on. How far a blue surface is from the colour it will settle at, second by second, for an observer who walked in from the snow as the lamp was switched on. It starts ΔE00 27 away, is still 6.1 away after a minute — the point at which the eye is conventionally said to have adapted — and does not fall under a unit until 295 seconds.

The room settles after the eye does

Four clocks run in a room and only three of them are in the observer. The slowest is the lamp, which takes four hundred seconds to reach nine tenths of its colour change — so a minute after the light goes on, when the eye is conventionally said to have settled, most of what is left is the lamp, and three quarters of that could not be adapted away by an observer of any speed.

light · Light
A colour rendering index, computed for everybody instead of for one observer. Each bar spans what 120 eyes make of one lamp: the same reflectances, the same reference illuminant, the same arithmetic, different colour-matching functions. The mark is the standard observer's own answer, which is the number printed on the box. One lamp's spread is 3.8 points wide while the whole range the standard observer puts these lamps in is 1.8 — so a ranking quoted to a tenth of a point is a statement about one set of tables. Two of the marks fall outside the population's range entirely.

The index is one observer's opinion

A colour rendering index is printed to a tenth of a point and computed for a single set of colour-matching functions that no standard names as a choice. Scored by two hundred eyes instead, one lamp's spread is wider than the whole range the standard observer puts five lamps in — and two lamps the standard separates by four tenths of a point come out the other way round for every member of the population.

light · Light
A viewing booth is a lamp, and a lamp has an angle. The same sample at five positions across a booth's plane, with the lamp 55 centimetres above it. The curve is how far each position is from the middle, in the units the judgement is made in. It reaches ΔE00 2.40 against a tolerance of 1, while the illuminance uniformity — the quantity the standard actually bounds — never falls below 73 per cent and stays comfortably inside it. The flat trace is the same booth with a source whose converter is the same thickness in every direction: ΔE00 0e+0, exactly, by construction.

The booth is a luminaire

A standard viewing booth is specified by its light's chromaticity, its rendering and the uniformity of its illuminance across the sample plane. Illuminance is a photometric integral, so two positions can be inside the uniformity tolerance and lit by two different spectra — and a sample at the far corner of a compliant booth is ΔE00 2.4 from one in the middle, against a tolerance of one.

applied · Delivery
The same census, sorted by where the change of light came from. Each row is a change of illumination. The pale bar is how far it moves an ordinary surface for an observer who does not adapt; the solid bar at its left end is what is left after the observer has applied the one gain adaptation gives them, which is the ratio of the two whites in the CAT16 basis and is not fitted to anything. Sorted by where the change came from. The two kinds of light that existed before electricity sit at the top and leave the smallest share of themselves behind; the discharge lamps are worse, and the worst of them is d65 to a triphosphor tube at 33 per cent.

Which lamp changes are free

The changes of light that existed before electricity commute with one another to a couple of parts in a thousand, so one set of axes handles all of them. The lights the lighting industry invented do not, and the worst pair in the census is seventy-six times further from commuting than the best.

light · Light
Three ways to dim a lamp, and only one of them is free. What an adapted observer is left with, as the same lamp is taken down to one per cent by each of the three methods. Duty-cycle dimming lies exactly on zero at every depth: it scales the spectrum, a scaling is a gain in every basis, and adaptation removes all of it. Current dimming moves the pump and the phosphor apart and leaves 0.15 at a tenth. A filament follows the Planckian locus, which is the largest chromaticity change of the three and leaves 3.63 — the ordering by chromaticity and the ordering by what a person sees are not the same ordering.

Only one dimmer is invisible

An earlier essay separated the three ways to dim a lamp by the chromaticity each arrives at. Asked instead what an adapted observer is left with, the ordering is different and one method comes out at exactly zero — a duty cycle is a scaling, a scaling is a gain in every basis, and adaptation removes all of it at every depth.

light · Light
A camera matrix fitted under each light, used under each light. Mean ΔE00 over the same surfaces, with the matrix fitted under the row's light and the scene under the column's. The diagonal is what a profile's data sheet quotes and is between 1.0 and 1.2 everywhere. Off it the numbers rise steeply: the matrix fitted under illuminant A reports 1.17 there and delivers 9.34 under a 9000 K daylight, a factor of 8.0. Nothing about the camera changes between cells.

A matrix is fitted under one light

A camera's colour matrix is nine numbers determined by a chart photographed under a particular illuminant, and the error it quotes is the error under that illuminant. Fitted under a tungsten lamp and used under a cold sky it delivers eight times as much — and the two-matrix scheme every real profile uses turns out not to be a compromise at all.

imaging · Capture
The share of each light outside 380–780 nanometres, as power and as visual product. Two measurements of the same truncation. The upper bar is the fraction of the light's radiant power that lies outside the range; the lower is the fraction of the product of light, sample and observer — which is what a colour is made of. A thermal radiator puts a fifth of its power outside and about a thousandth of its colour, because the observer is zero where most of that power is. The gap between the two bars is the observer's own tails doing their job, and reading the upper number as though it were the lower is how a range gets argued about without being measured.

A lamp is two audits at once

A lamp's ultraviolet content decides what its tabulation costs and its blue content decides what its observer costs, and the two run in opposite directions with colour temperature. So no lamp is good for both audits and no lamp is bad for both, and a single figure of merit for either is a figure of merit for one property of a spectrum.

light · Light
One infrared-cut filter, crossed at four angles. The transmittance of the same interference filter for light crossing it at the centre of a frame and at three steeper angles, from 560 to 760 nm. Its half-transmission edge is at 665 nm straight on and moves to 658, 646 and 630 nm, following the edge wavelength times the square root of one minus the squared sine of the angle over the square of the stack's effective index, 1.8. The deepest reds are what it takes away, and a lamp decides how much light there was in them.

The corner of the frame has another filter

A camera's infrared-cut filter is an interference stack, and light crossing it at an angle sees its edge moved towards the blue — from 665 nm at the centre of a frame to 646 at twenty-five degrees. The corner's red channel loses a tenth of its response under daylight and a sixth under tungsten. A grey-card gain map makes the corner exactly right under the lamp it was made under; under a tungsten lamp the same grey is 2.6 colour differences wrong, under a white LED 4.2, and even under its own lamp the coloured patches are not corrected, because a moved edge is not a gain.

imaging · Capture
Two matrices blended by colour temperature, under fourteen lamps. For each lamp, with the neutral held exact as a converter holds it: the mean colour difference over twelve test surfaces with a matrix fitted under that lamp (the short bar) and with the tungsten and daylight matrices blended at the weight its correlated colour temperature gives (the long bar). Smooth lamps on or near the locus sit within 6 per cent of their own matrix. The lamps with lines or narrow bands in them sit a median of 2.2 times theirs, from 1.38 for a broadband tube to 5.2 for a three-emitter source.

Two matrices do not reach a white LED

A camera profile's two matrices, blended by the scene's colour temperature, are as good as a matrix fitted anywhere along daylight. Under a white LED or a fluorescent tube the same blend leaves colours twice as far off as a matrix fitted under that lamp, and no weight inside the profile's range repairs it. What decides it is not how far the lamp sits from the Planckian locus — a triphosphor tube sits nearly on it and fares worst — but whether its spectrum has lines in it, which a white balance reading cannot see.

imaging · Capture
Where each display's boundary and the spectrum fail, as the adapting white warms. For radiators from 6500 K down to 2700 K, the temperatures at which the two-matrix front end sends some point of each display's boundary, or some spectral light, negative: shaded where it fails. sRGB and Display P3 first fail at 2871 K, just above illuminant A; BT.2020 at 3626 K. P3 and BT.2020 also fail at their red corners under whites cooler than 5700 K, and no spectral light fails between 5700 and 4700 K. The dashed line is the 3500 K the prediction named.

Two matrices hold to almost tungsten, and the blue turns long before

An appearance model that adapts in CIECAM16's space and compresses in Hunt–Pointer–Estévez gets the blue's hue turn right under daylight and sends the display's blue to a negative signal under illuminant A. The prediction was that the failure reaches sRGB's blue near 3500 K, a warm-white LED, and that the blue's turn holds its daylight value down to about 4000 K. Walked down the radiator and daylight loci, sRGB's boundary holds to 2872 K — fifteen kelvin short of illuminant A — while BT.2020's fails at 3626. There is a neutral window, 4700 to 5700 K, where no colour at all goes negative. But the blue's turn does not wait for the failure: it is five degrees above its daylight value by 4500 K and nearly three times it before anything breaks, because it follows the blue's long-wave signal down towards nought.

brain · Appearance
How much of the screen a warm room tints, with the black declared in grey. For each of nine cases — three pictures on a local-dimming panel, three diffuser spreads — the share of the 576 zones whose dark greys a 2,700 K room's reflected light tints by more than one ΔEITP, when the panel's black is declared as two floors in grey. At a hundredth of a candela the moon's screen is 92 per cent tinted; at a tenth, all of it, and the subtitles' too; at one candela every zone of every picture.

A warm room tints the black, not the halo

A local-dimming panel's black can be declared as two floors, the room's light reflected off the screen folded in, and the earlier censuses gave that light a hundredth of a candela, grey. Under a warm lamp it is not grey. The prediction was that a warm room would hide the halo's misreading in the long and middle cone signals, leave its short-wave part exposed, and tint the halo's dark greys towards blue. The tint is real and it is none of those things. With the floors declared in grey, a 2,700 K room putting a tenth of a candela on the screen tints every zone of a dark picture by more than one ΔEITP — up to 17.7 at the darkest grey — and the tint points towards the lamp's own orange, opposite blue. It is not the halo's: it is the whole black's, because a grey declaration has the floor's colour wrong everywhere. The prediction's conclusion holds by a different road. A grey step laid on a warm floor is partly a change of colour, so the warm room leaves seven tenths of the moon picture's grey steps misread where a grey room leaves none; and declaring the floors in the room's colour removes all of it but the halo's own.

difference · Metric
A sensor a few mireds out leaves the shadows tinted. A local-dimming panel in a 2,700 K room, the moon picture on its middle diffuser, its black floor declared in the colour of a Planckian lamp the room sensor read at another temperature, at the room's true level: the worst tint over every zone and grey level, against the reading's error in mireds. With the room at a tenth of a candela the tint reaches a unit 14 mireds warm and 14 cool — about a hundred kelvin either way; at a hundredth, about 54; at one candela, about 6.

A room sensor must read the lamp to a hundred kelvin

A local-dimming panel in a 2,700 K room leaves a dark picture's shadows tinted towards the lamp unless its black floor is declared in the room's colour, and declared exactly, that tint falls below a ΔEITP unit almost everywhere. A display learns its room from a sensor, and sensors are not exact. With the room putting a tenth of a candela on the screen, a temperature reading 14 mireds out — about a hundred kelvin, warmer or cooler — puts the tint back over a unit in the moon picture; so does a level read 12 per cent low or 13 per cent high, or a white placed a Duv of 0.003 off the locus. The tolerance is even in mireds and lopsided in kelvin, and it narrows to a third or a quarter for every tenfold rise in the room's light: ±54 mireds in a room of a hundredth of a candela, ±5 in a room of one. A bright picture forgives six times as much as a dark one. Declaring the room's colour solves the tint only for a display that can measure the room about as well as a colour meter does.

difference · Metric
Building on the locus does not make a line. Lines in the sensor's departures fitted to LEDs alone, each LED left out and estimated from the others: the free grid's forty-eight, whose whites fell either side of the locus, and the thirty built on it, all together and one pump at a time. Removing the V about the locus brings the merged row from ±0.291 to ±0.282 and the three departures from ±0.298 to ±0.248; only the LEDs pumped at 452 nm, taken alone, fall on a line.

LEDs built on the locus still fall off the line

A camera's colour error under a lamp can be estimated from three narrow channels of a small sensor, read as departures from a smooth lamp of the same colour, and the estimate held for the census's white LEDs, which varied only their blue pump. Rebuilt on LEDs varied freely in pump, converter and red phosphor, it failed: the error was a V about the Planckian locus, and no line in the departures read it. A maker does not let the white fall where it falls, so the proposal was to build the LEDs as a maker does — the converter tuned for each pump and red phosphor until the white sits on the locus — and the prediction was that the V would go and the line return, the census's held-out error to within ±0.15. Thirty of thirty-six such LEDs can be built. On the locus the V is gone and the line is not: the LEDs alone are missed by ±0.25 to ±0.28, the census's lamps by ±0.27. Taken one pump at a time, the departures read the LEDs pumped at 452 nm to ±0.05 and those at 440 and 465 nm no better than ±0.17. Within one pump the LEDs are readable, and across pumps they are not.

imaging · Capture
Declared from its temperature, a mixed room tints the shadows midway. A local-dimming panel in a room lit by a 2,700 K lamp and D65 daylight, 0.1 cd/m² of the room's light on the screen, the moon picture on its middle diffuser: the worst tint over every zone and dark grey against the daylight's share of the light, the black floor declared in grey, in the colour of a Planckian lamp at the mixture's correlated temperature, and in the mixture's own chromaticity. The temperature declaration is worst with 40 per cent daylight, 1.24 units; the chromaticity declaration stays at the halo's residue throughout. Values below 0.005 are drawn at 0.005.

Lamp and daylight together sit below the locus

A display that declares its room's light can remove the tint a warm room leaves in a dark picture's shadows, if it reads the light to about fourteen mireds and a Duv of 0.003. An evening room is often lit by a lamp and the last of the daylight at once, and a sensor that reports a colour temperature names a point on the Planckian locus that such a mixture need not occupy. The prediction was that a lamp-and-daylight mixture sits well above the locus, so a declaration from its temperature tints the moon picture beyond a unit at a tenth of a candela for every mixture. The mixtures sit below the locus, at a Duv of −0.002 to −0.005, because a straight line between two points on a curve that bends upward lies under it. Declared from their temperature, they tint the shadows beyond a unit only when a quarter to a half of the light is daylight, up to 1.24 units. Daylight alone sits above the locus, at +0.003, and its temperature-only declaration tints by 0.67 at a tenth of a candela and 1.39 at one, where a grey declaration — the display's own white — tints nothing. Declared in its own chromaticity, every mixture's tint stays at the halo's.

difference · Metric
A sensor calibrated on two lamps misreads nearly everything else. A modelled three-channel sensor — Gaussian channels at 450, 540 and 610 nm — calibrated to read a 2,700 K and a 6,500 K Planckian lamp exactly: the distance in the CIE 1960 plane between each light's true chromaticity and the one it reports, against the light's correlated colour temperature. The mixtures of a 2,700 K lamp and daylight are misread by up to 0.0023, the thirty LEDs by 0.0073 to 0.0172; the predicted ceiling for the LEDs was 0.006. The halophosphate tube is misread by 0.0162.

A sensor calibrated on lamps cannot read an LED

A display that declares its room's light in the light's own chromaticity keeps a dark picture's shadows untinted, and the chromaticity has to come from a sensor. The prediction was that a small three-channel sensor calibrated on a 2,700 K and a 6,500 K lamp reads mixtures of a lamp and daylight within 0.001, because they are mixtures of its calibration lights, and misreads phosphor LEDs by 0.003 to 0.006. The mixtures nearly hold: misread by up to 0.0023, past 0.001 from half daylight, because daylight is not a 6,500 K lamp — and at a tenth of a candela no mixture tints the moon picture by a unit. The LEDs are three times worse than predicted. Every one of thirty white LEDs built onto the Planckian locus is misread by 0.007 to 0.017, and every one tints the shadows by 1.7 to 3.6 units. The divide is not lamp against daylight but smooth against spiky: every Planckian lamp and mixture under 0.0035, every LED and fluorescent tube over 0.007.

difference · Metric
Every calibration leaves some lights beyond a unit. For the modelled three-channel sensor under four calibrations, and a fourth channel added: how many of the forty-seven lights — nine lamp-and-daylight mixtures, five Planckian lamps, thirty LEDs, three tubes — leave the moon picture tinted beyond a ΔEITP unit with the floor declared in the sensor's reading, at a tenth of a candela. two lamps, exact: 33; three lights, exact: 22; eight lights, fitted: 8; whole census, fitted: 13; census, four channels: 6.

No calibration reads the lamps and the LEDs together

A three-channel ambient sensor pinned on two Planckian lamps reads every lamp and every lamp-and-daylight mixture well enough to keep a dark picture's shadows under a ΔEITP unit, and misreads every white LED badly enough to tint them by two to four. Its errors on the LEDs all point one way, and the prediction was that a matrix fitted in least squares to every light in a census would bring every LED under 0.004 while the lamps rose only towards 0.003. It does not. Fitted to the census, each light held out, the sensor's worst LED error falls from 0.017 to 0.0066 and its worst lamp error rises from 0.0033 to 0.0126; thirteen of forty-seven lights still pass a unit, among them the 2,700 K lamp the original calibration read exactly. A matrix exact on the lamp, daylight and one 4,000 K LED reads every mixture and every 4,000 K LED nearly perfectly and fails the 2,700 K LEDs, none read better than 0.0063. A fourth channel leaves six lights beyond a unit. Three broad channels have one matrix, and it can be right about one kind of spectrum.

difference · Metric
A channel at its own pump reads the long pump better and the short one hardly at all. For the ten locus-built LEDs at each pump: the spread of the camera's colour error, and how far a line in one blue departure — at 440, 450 or 465 nm — with the 500 and 640 nm departures misses it, each LED left out. The 465 nm LEDs fall from ±0.264 with the 450 nm departure to ±0.135 with their own; the 440 nm LEDs from ±0.171 to ±0.149; the prediction was ±0.08.

A channel at each pump cannot see the recipe

Thirty white LEDs built onto the Planckian locus defeat a line in a small sensor's three departures, except within one pump: the 452 nm LEDs are read to ±0.047 by the 450 nm channel, the others no better than ±0.15. The proposal was a channel at each pump — 440 and 465 nm beside the 450 — and the prediction that each pump's LEDs would be read from their own channel within ±0.08. The 465 nm LEDs' own channel halves their miss, to ±0.135; the 440 nm LEDs' moves it from ±0.171 to ±0.149. No line in any three of the five departures reads either pump better than ±0.1. Yet the camera's error is simple: a line in what each LED is made of — its red phosphor, its colour temperature and their product — reads every pump within ±0.07, the 440 nm LEDs to ±0.043. The error is easy; the channels cannot see the recipe that sets it. Knowing each LED's pump halves the pooled miss, to ±0.119, and two blue channels can tell only one pump of three from the others.

imaging · Capture
Two LEDs of one colour, one with a red phosphor. Two white LEDs pumped at 452 nm, both on the Planckian locus at 4,000 K: one with no red phosphor and its converter peaking at 579 nm, one with the full red phosphor and its converter pushed to 529 nm, drawn at equal total power. The red phosphor adds light past 620 nm and the shorter converter takes it away from 570 to 610, so a channel anywhere in the red sees the two changes together.

The converter gives the red phosphor away

A camera's error under white LEDs built onto the Planckian locus is simple in what each LED is made of — its red phosphor and its colour temperature — and a small sensor's narrow departures cannot read the red phosphor. The proposal was a channel at 610 nm, where a garnet converter falls and a red phosphor rises, and the prediction that it reads the red-phosphor strength within a tenth of its range. Within a pump it reads nothing: ±0.36 to ±0.43 at 440 and 452 nm against a spread of ±0.36, and no red channel from 600 to 680 nm does better than ±0.22. The reason is the locus. To keep the white's colour, each step of red phosphor pushes the converter's peak shorter, by 29 to 55 nanometres from none to the most, and in every red channel the two changes cancel. What survives is the converter: the 600 nm departure reads its peak to ±5 nm. Read across all thirty LEDs at once, the converter gives the red phosphor away — ±0.12 — and the error read through that estimated recipe comes within ±0.08 at every pump, the 440 nm LEDs at ±0.078, half their own channel's miss.

imaging · Capture
Off the locus, the 600 nm line reads the red as well as on it. For white LEDs built on the Planckian locus and at a Duv of −0.003 and +0.003, the red-phosphor strength read from the 600 nm departure, the mireds and their product by the line learned on the thirty locus LEDs, less the true strength. On the locus, each left out, it misreads by ±0.120; below the locus by ±0.110 and above by ±0.117, reading too little below and too much above.

Beside the locus the converter still gives the red away

On the Planckian locus, a white LED's red phosphor pushes its converter to a shorter peak, so an ambient sensor's 600 nm departure, which reads the converter, reads the red phosphor too — within ±0.12 of a spread of ±0.36 — and through it the camera's colour error within ±0.074 ΔE₀₀. Real LEDs are binned a few thousandths off the locus, and the prediction was that a Duv of 0.003 moves the converter about as far as a fifth of the red phosphor does, so that the line learned on the locus misreads off-locus LEDs by a fifth of the range and their error falls back to ±0.12. The converter moves under two nanometres. The line reads the off-locus LEDs' red within ±0.11 and ±0.12, as well as it reads the locus's own held out — with a bias of about a twentieth that follows the Duv's sign. The error reads a third to a half worse, ±0.096 and ±0.107, and most of that is the camera's error itself moving off the locus with nothing in the recipe changed.

imaging · Capture
Only a curve per temperature brings the bin back. The camera's colour error under eighty-nine white LEDs — thirty on the Planckian locus, fifty-nine at a Duv of ±0.003 — read through the red phosphor estimated from the 600 nm line and an error line within each pump, each LED left out, as the Duv enters the lines in turn: not at all, as one term, as a slope in mireds, as a slope for each temperature, and as a slope and a curve for each. Beside them the line learned on the locus alone. With a slope and curve per temperature: ±0.073 on the locus, ±0.056 below, ±0.048 above.

Across a bin, the camera's error bends with the temperature

White LEDs a Duv of 0.003 off the Planckian locus have their red phosphor read by an ambient sensor as well as LEDs on it, and their camera colour error read a third to a half worse, because the error itself moves with the Duv. The prediction was that one Duv term in the error's line, learned over all eighty-nine LEDs, brings those beside the locus back to the locus's ±0.074 ΔE₀₀ and costs the locus LEDs nothing. One term buys little: ±0.109 below the locus and ±0.085 above. The error turns across the locus one way at 2,700 K and the other at 4,000 and 6,500 K, and bends most where it is warmest, so the Duv has to enter as a slope and a curve for each temperature — ten numbers a pump, not five — before both sides come back, to ±0.056 and ±0.048. That line then reads the locus LEDs at ±0.073, worse than the ±0.062 a line with no Duv in it manages once it is learned across the bin.

imaging · Capture

Named alongside it

The objects these essays reach for when they reach for this one.

IlluminantWhite LEDSpectral power distributionΔESpecificationCamera rawChromatic adaptationIdentifiabilityQuality controlDuvHeld-out validationViewing condition

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