Limits — the series
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Seventeen observers in 1931
The standard observer that governs every colour specification in industrial use is an average over seventeen young British men, measured with equipment from the 1920s. It is known to be wrong in the blue, the correction has existed since 1951, and it has never been adopted.
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Simulating what cannot be simulated
A colour-blindness simulation cannot show what anybody sees. What it can show is which discriminations survive, and that is a narrower claim, a checkable one, and the only one worth making.
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The display is an unknown
This site is displayed on the very apparatus it is about, and it knows almost nothing about that apparatus. Two figures here stop assuming and ask instead — a probe for the transfer function and a probe for the gamut.
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Whose eyes
The standard observer is an average over seventeen people, and no reader is it. What that costs was small when displays were broad and grows every time the primaries get narrower.
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How bright is white
An sRGB value says a pixel is some fraction of whatever the display can manage. A PQ value says it is two hundred candelas. The change is the largest in display encoding since gamma, and what it removed was the honest admission that nobody knew.
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The triangle is a shadow
A display's gamut is drawn as a triangle on the chromaticity diagram, and coverage is quoted as a percentage of that triangle's area. Chromaticity has luminance divided out, so the triangle is a projection along the axis the eye cares most about — and the ratios computed on the solid are not the ratios computed on its shadow.
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Banding is not a bit depth
Eight bits bands at thirty times threshold in the shadows and at under three at mid grey, on the same ramp with the same encoding. What decides is where in the tone scale the gradient sits, how sharp each step's edge is, and how far away the reader is — and a bit count contains none of the three.
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The model has no clock
An appearance model takes a stimulus and a situation and returns what it looks like. It does not take a time, and adaptation is not instantaneous — half a second after the light changes a judgement is three and a half CAM16-UCS units from the settled one, and a minute later it is still 1.3.
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Two degrees or ten
This site names the observer on every figure it draws, which was supposed to be the point. Measuring what it had actually done found two hundred and four figures naming the same observer, three naming the other, and sixty-two of sixty-four generators printing a string that had never once varied.
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The gamut shrinks in the dark
Every gamut number here is a property of a device and of nothing else, which is why the same display has the same gamut in a studio and in a cinema. It does not. Turn the room down four decades and the solid loses a fifth of its reach and two thirds of its volume, with the signal unchanged.
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Nobody here has two eyes
One person's two eyes differ in macular pigment and lens density, so the same light produces two colours — a whole ΔE00 apart for an ordinary pair, seven for one replaced lens. Adaptation hides it exactly, which is why nobody notices and why nothing in colorimetry has a term for it.
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Every threshold was measured with a grating
An earlier essay here claimed that the model cannot explain why dither works, and named two missing pieces. One of them was real and worth thirteen times the guess; the other was not needed. The piece nobody named was the detector — and reading the same model two ways changes the answer by a factor of fifty.
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There is no word for that colour
The naming model built this phase gives a saturated cyan the name green, calls part of a chromatic ring grey, and puts one of the eleven focal colours outside what a display can show. Each failure is a measurement rather than a disclaimer, and together they say what a vocabulary is that eleven points and a distance are not.
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A display in a room is a smaller display
Two results here turn the room's light in opposite directions and neither knows about the other. A room has one light level and does both at once — so there is a brightness at which a display delivers the most colour, it is not at either end, and it scales with the panel.
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The list nobody made
The last phase found that reading a filtered signal at a point asks a question its thresholds were never fitted to, made it a standing rule, and admitted that nobody had gone back through the site to see which claims it touched. Here is the list. Every claim with noise on one side of it moves — and so do two that have no noise in them at all, which the rule said would not.
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What a second model changed
Thirteen claims here, each computed with one model and recomputed with two. Ten of them move by half again or more. Three of them do not move at all in the ordinary sense — the first model's answer is exactly zero, not because it computed zero but because it has no variable for the quantity — and every one of those three is a join that supplied a state or a device rather than a spread.
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What no adaptation can remove
A change of light is exactly a 3×3 matrix on tristimulus values, and adaptation is a diagonal one. Putting every change of illumination this site models through that distinction sorts them by how much of themselves they leave behind, and the smallest residual in the census belongs to a filter inside the eye.
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Only one of these devices adapts
An eye, a camera, a display and a press all meet the same changes of light, and each has at most one thing it can do about them. The press has nothing at all, so its column is the whole change; and this collection's sensor built to satisfy the Luther condition exactly is the one that adapts worst.
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The brightener is being used up
The molecule that absorbs an ultraviolet photon occasionally does something other than re-emit it, and what it does is break. So a sheet's whiteness has a half-life, the fall is steepest at the start, and a specification quoting a whiteness figure without a date is quoting a property of a sheet that no longer exists.
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A fit can be exact and empty
Every fitted object here reports one number, the residual on the data it was fitted to, and every one of them has two more that nobody publishes — how many of its parameters the data actually determine, and how large the family of equally good answers is. The third column is where the failures live.
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Which of these is a convention
Nine ordinary sentences from this collection, put through one test — do they mean the same thing after the observer's three curves are replaced by a nonsingular combination of themselves? Five survive and four do not, and none of the four is wrong, because each is a statement about a set of coordinates being read as a statement about an eye.
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A constraint costs what it points at
Three primary chromaticities remove three of the nine numbers in an adaptation basis and cost one per cent. Three dichromat confusion points remove six and cost seventy. Counting what a constraint removes predicts neither, because an optimum is a long bowl and what matters is which way the constraint points.
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An extremum is not a sample
Three separate measurements in this collection took a maximum or a minimum over a sample of a set — forty-eight points round an ellipse, twenty-four directions out of an optimum, fourteen changes of light off a list. All three are wrong, all three are wrong in the same direction, and the error in each grows with the very quantity being measured.
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A constraint is a direction and a distance
Four restrictions on the same nine numbers cost nothing, nothing, two per cent and seventy. How many parameters each removes predicts none of it. What does is the quadratic form evaluated along the displacement — and showing that it does means walking in towards the optimum rather than arguing at the edge, because at the edge the prediction is out by a factor of three.
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How far a quadratic can be believed
A second-order model has a radius inside which it describes a surface and outside which it does not, and that radius can be measured. Measured at eight places on one objective, it is smallest at the optimum — the one place anybody ever takes a Hessian.
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A mean is not a worst case
Every adaptation number this collection publishes is an average over objects, and the reader asking whether adaptation will fail them is asking about the object it fails on. That object costs between 1.9 and 4.0 times the published figure, and how uneven a change of light is across objects turns out to be a property of the change rather than a constant.
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The price is also the person
The receptor construction costs seventy per cent above the unconstrained floor, which is a number usually quoted as a property of the construction. Propagated across a population of eyes it runs from a quarter above the floor to a hundred and thirty per cent above it, and the population's own spread is wider than the entire gap between the published transforms the seventy per cent was being compared against.
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What would have to be wrong
A great many statements here have thresholds written into them, which turns out to make an audit possible — for each one, the smallest change in a declared input that would stop it holding. Most are unreachable. One is inside a factor of one and a third.
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The instrument named the pair that moved
A standard error over a test set flagged four steps of the adaptation census as unresolved. Rebuilding the set three different ways reversed exactly one pair, and it was one of the four. Rebuilding it to a different rule reversed a pair the error separated by nearly nine standard errors — which is not a failure of the instrument but a statement of what it is about.
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The input nobody declared
An audit that swept every declared width in this collection found the largest elasticity anywhere to be about a half. The most elastic input turns out to be one that was never declared, never quoted with a range and never varied — and being undeclared is exactly why it escaped the audit that was looking for it.
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What the audit still cannot reach
Two rounds have now swept every declared width in this collection and one of its structural choices. Three structural choices remain, none of them has a multiplier to sweep, and the reason each resists is different — which makes the list a description of where this kind of audit ends rather than a queue of work.
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A choice with no magnitude
An audit can multiply a width by 1.25 and report an elasticity. It cannot multiply CIEDE2000 by anything. Auditing a structural choice needs a different instrument, and building one shows that six published numbers in this collection each carry a factor of about two of unit-choice — after the change of scale has been taken out.
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Two instruments and one ranking
A sampling error over a hundred and twenty-five surfaces and a change of colour-difference formula share no arithmetic at all, and they were asked the same question of the same table. Every adjacency the whole menu reverses had already been flagged as unresolved. And one the test set settles at nine standard errors is reversed by four of the five formulae, which is what makes them two instruments rather than one.
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Three choices reached
Two rounds ago this collection named three things it rested on and could not audit — a unit, a diagonal and a template. All three are now reached, and the interesting part is not the three answers but that four of the round's own predictions were refused by the arithmetic and one of its measurements was wrong in a way only a cross-check caught.
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The model has six arguments
Every colour computed here is an integral of a reflectance against a light against three curves, and a reflectance is one number per wavelength. A real surface's response is a function of six arguments — the wavelength, direction and place light arrives with, and the three it leaves with — so the model keeps one of them, takes a diagonal, integrates two away and assumes two more equal.
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Either factor being zero
Four different departures from the colour integral turn out to have one algebraic form — each is an inner product of something the sample does that the model has no slot for with something the light does that the model assumed away. Either factor being zero makes the departure exactly zero, and the sizes of the two factors decide neither how large it is nor which way it goes.
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A departure is not a unit
The previous round audited six published quantities by swapping the unit they were quoted in — a function applied at the end of each computation. Nothing of that shape works here. A departure changes the object at the start, so every stage in between has to accept it, and only two of the same six quantities can take one at all. The fourth cannot even be expressed in the interface.
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The audit that changed the object
Three rounds audited this collection's numbers, its sets and its conventions, and each one ended by naming the same thing it could not reach — that a surface is a reflectance. This round reached it, found that four departures share one algebraic form, had two of its predictions refused, and discovered that its own hemisphere quadrature had been passing a convergence check by luck.
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The reference had to be built
A five-nanometre error cannot be measured with five-nanometre data. Interpolating the tables and integrating finely measures the interpolator, not the grid — so the audit of this collection's index had to be run against an observer made of formulae, and the price of that is a residual of 1.42 ΔE₀₀ that every number in the section is read beside.
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The grid hid the observer
On this collection's five-nanometre grid a three-laser projector's observer disagreement is exactly zero. On a quarter-nanometre grid it is 2.34 ΔE₀₀ and the largest in the table. The two audits of this round meet here, and the first one does not compound with the second — it removes it.
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An observer is a contract
Six departures, all above a delivery tolerance, none dominant, and no reader matching the standard on any of them. That would be a demolition if the standard observer were a description of an eye. It is not — it is an agreement about what a number means, and an agreement is not falsified by being unlike anybody.
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Where a patch stops being a point
A patch in a cube subtends a cone of 25.8° at the face opposite. A microfacet lobe of roughness 0.05 is about three degrees wide. Point-sampling the second inside the first returned a chroma of thirty-four thousand and a negative lightness, and the boundary between working and not working is measured rather than declared.
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Three audits and one shape
The tabulation, the observer and the scene solver have nothing in common as subjects. Each turned out to hold a departure that is a pairing of two deviations, vanishes exactly when either is empty, and had been invisible because its parameter had no call site. Three subjects, one shape, and the shape is the round's result.
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The conditions are the result
The round measured about twenty departures and established ten conditions. The departures are numbers that depend on a sample, a light and a construction; the conditions are exact, they hold under every substitution tried, and they are what a reader can act on. A size is a measurement and a condition is a mechanism.
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What this round could not reach
Three audits, about twenty departures and ten conditions, and a longer list of things that were named and not measured. Every item on it is specific, most of them are an afternoon's work, and the reason none was done is the same in every case — the round ran out of round.
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The limits assume a pigment that switches instantly
The hardest boundary in colorimetry is reached by reflectances that jump between nought and one at a wavelength, and no material does that. Constrain the jump to take twenty nanometres — a sharp dye — and the median direction of the object-colour solid loses under half a per cent of its reach. Constrain it to eighty, an ordinary pigment, and the median loses five per cent, the tenth percentile nearly a quarter, and seven directions in ten lose more than one. The cost is in a corner only for chemistry sharper than paint.
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Three lines spare a slow pigment
A pigment that cannot switch faster than forty nanometres loses more than a per cent of its reach in 183 of the object-colour solid's 305 directions under daylight. Under an LED whose light sits in three narrow lines, it loses that much in 62. Between the lines almost nothing is measured, so a slow reflectance can do its changing there — until its transitions are as wide as the lines are far apart, at which point the lamp stops helping and the count jumps to daylight's.
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A limit written in energy charges the reds
A slope limit on reflectance is usually written in nanometres and applied the same way across the spectrum. An absorption band's width is closer to a fixed spread of photon energy, which is nearly twice as many nanometres at 700 as at 500. Written that way, a limit that is forty nanometres at 550 is kinder to the object-colour solid overall — 489 of 913 directions lose a per cent rather than 544 — and it charges the reds more. Which directions pay is decided by one thing: whether their optimal edges fall above or below the reference wavelength.
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A fourth emitter spends the gap it fills
A three-emitter LED lets a pigment that takes forty nanometres to switch reach most of its ideal solid, because the lamp is dark where the pigment is slow. Adding a fourth emitter to render better takes that darkness back — but only if it is put in the middle of a gap. At 490 nanometres it costs 172 of the solid's 312 directions against the three-emitter lamp's 62, and renders two points worse. At 540 it costs three directions and renders two and a half points better.
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The gap has to be dark, not the line narrow
A lamp whose light sits in three narrow emitters lets a blunt pigment reach most of its ideal solid, and the reason was given as the spacing of the lines. Broadening those emitters without moving them says otherwise. At 1.3 times their nominal width the lamp still looks like a line spectrum, its closest spacing has not changed at all, and half the rescue is gone — because the darkest point of the narrow gap has risen from one per cent of the lamp's peak to seven.
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A sharp edge is bought with depth
A slope limit on reflectance was introduced as the weakest honest statement of a pigment's bluntness, with a band-shape limit named as the stronger version to be written later. Written, it is not stronger. Three absorption bands none narrower than forty nanometres reach further than a forty-nanometre slope limit in 94 of 154 directions of the object-colour solid, because a band's width and the width of the reflectance edge it draws are different quantities — and what converts one into the other is how much colorant is in the film.