Concept

Worst case — where it appears

The largest value a quantity takes over an admissible set, as distinct from its average. It is a statement about the set's boundary as much as about the quantity, so a worst case with no stated admissible set is a reading of whatever somebody happened to bound.

Named by 29 essays across 8 fields — each of them below, with the objects they name alongside it.

A published residual is a mean, and the worst object in the room costs twice it. Three bars for each of the 14 changes of light in the adaptation census, ordered by how uneven the change is across surfaces. The first bar is the published mean residual. The second is the worst single surface in the audit's published test set. The third is the worst surface anywhere in the region that set is drawn from, found by search rather than by reading a maximum off a lattice. The mean-to-worst ratio runs from 1.90 to 4.02 and averages 2.43, so every published adaptation number has a worst case about twice it that no essay had ever quoted. The gap between the second and third bars is the other finding: a maximum over 125 sampled points understates the region's own maximum by up to 34 per cent.

A mean is not a worst case

Every adaptation number this collection publishes is an average over objects, and the reader asking whether adaptation will fail them is asking about the object it fails on. That object costs between 1.9 and 4.0 times the published figure, and how uneven a change of light is across objects turns out to be a property of the change rather than a constant.

limits · Limits
A published residual is a mean, and the worst object in the room costs twice it. Three bars for each of the 14 changes of light in the adaptation census, ordered by how uneven the change is across surfaces. The first bar is the published mean residual. The second is the worst single surface in the audit's published test set. The third is the worst surface anywhere in the region that set is drawn from, found by search rather than by reading a maximum off a lattice. The mean-to-worst ratio runs from 1.90 to 4.02 and averages 2.43, so every published adaptation number has a worst case about twice it that no essay had ever quoted. The gap between the second and third bars is the other finding: a maximum over 125 sampled points understates the region's own maximum by up to 34 per cent.

An extremum is still not a sample

Two rounds ago three measurements turned up that took a maximum over a sample of a set and were short by up to a factor of two. The same error was live in a fourth place the whole time, on the set of surfaces every adaptation number is averaged over, and it is short by up to a third.

matching · Gamut
Every worst surface sits on a number somebody typed. The region the test surfaces are drawn from, in its own two modulation coordinates: a square of allowed depths with a diamond inscribed in it, the diamond being the requirement that the two depths sum to no more than 0.7. The 14 marked points are the worst surface for each change of light in the adaptation census, found by search over the whole region. Every one of them lies exactly on the diamond, and every one is also at the brightest level the region allows — both declared constraints active, on all 14 rows, with no interior maximum anywhere. That is the opposite of what bounding the wall gave: there the worst case turned over at a band width of six nanometres because a narrow band returns too little light, which is physics. Here the worst case is a reading of two numbers. The one constraint that is about the world — a paint's excitation purity may not exceed 0.6 — is slack everywhere: the most saturated surface the region admits reaches 0.459.

Every worst surface sits on a declaration

Bounding the wall in a painted room produced a real worst case — the residual turns over at a band six nanometres wide because a narrower band returns too little light. Bounding the surfaces the residual is averaged over produces nothing of the kind, because all fourteen answers sit exactly on two numbers somebody typed and the one constraint that comes from the world never binds at all.

scene · Scene
How much the answer moves when the 5-nanometre grid is slid through one cell. Each bar is the spread of one light's colour across five grid origins, all at the same 5-nanometre step, in ΔE₀₀. A smooth light barely moves, and what movement it has is the end cells rather than the sampling. The fluorescent tube moves by 3.18 units and the laser projector by 35.0, because their emission lines are narrower than the step and whether a sample lands on one is a coincidence of arithmetic. This is the measurement that separates a quadrature error from an aliasing error, and no average over origins can substitute for it.

Where the grid starts

Holding the step at five nanometres and sliding the grid's origin through one cell moves a fluorescent tube's computed colour by 3.18 ΔE₀₀ and a laser projector's by 35.0. Refining the step does not fix it and averaging over origins hides it. It is the one tabulation fault with no smooth error to cancel against.

light · Light
The two tabulation choices over forty-two surfaces, under a 6500 K thermal radiator. Each column is one choice, measured over a family of forty-two analytic reflectances rather than on a single example: an absorption band of stated centre, width and depth. The four marks are the smallest, the median, the ninety-fifth percentile and the largest cost in ΔE₀₀, logarithmically. Under a smooth light the range is worth 9.1 times the step at the median, so a collection wanting one repair should widen its range rather than refine its step — and under a fluorescent tube the ranking reverses outright.

Which end to buy

Refining a five-nanometre grid to one buys a daylight calculation 0.05 ΔE₀₀ and widening its range buys 0.54. Under a fluorescent tube the same two purchases are worth 0.83 and 0.0001. The ranking reverses completely, and what decides it is one length compared against one other length.

light · Light
Each departure over forty-two surfaces rather than one. The same six departures measured over a family of forty-two analytic reflectances — an absorption band of stated centre, width and depth — with the smallest, the median, the ninety-fifth percentile and the largest marked. Every one of them spans more than a factor of three, and the ranking between them is not stable across the family: what decides a departure's size is which sample it is asked about, because a departure is a pairing and the sample is one of the two factors. Quoting any single number for what an observer's age is worth is quoting a choice of example.

The ranking is not stable

On a red pigment under daylight the six observer departures run from 2.38 down to 1.20 ΔE₀₀. Over forty-two surfaces two of them change places, the top two separate, and every one spans between a factor of ten and a factor of thirty-five. A chart of six bars is a chart of one example.

eye · Cones
The angle between two departures, which nothing in the audit records. Every pair of the six departures on every surface — 2520 pairs — binned by the angle between their two deviations in the local metric. The distribution reaches both ends: 440 pairs sit under thirty degrees and point almost the same way, and 615 sit above a hundred and fifty and point almost opposite. On 1095 of the 2520 the two together cost less than the larger of them alone. A table of magnitudes cannot say which case it is in.

A size is not a direction

An audit that reports magnitudes cannot say what two of them cost together. Over two and a half thousand pairs of observer departures the angle between them in the local metric runs from one degree to a hundred and seventy-nine, and on forty-three per cent of them the two together cost less than the larger of the two alone. Adding the angle predicts the composition to one and a quarter per cent; Pythagoras is out by twenty-eight.

matching · Gamut
What a code lattice costs, and where. Twelve thousand colours quantised to 8 bits per channel through the sRGB transfer function and read back, with lightness across the bottom and the colour difference the rounding cost up the side. The mean is 0.191 and the worst case is 1.15, a factor of 6.0. The bars are band means, and they rise: the encoding spends its codes in the shadows, so the top of the ramp is where the lattice is coarsest against a metric that does not compress as hard.

A lattice has no derivative

Every departure priced here was priced by perturbing something and reading the answer, which requires the thing being perturbed to have a derivative. A file written on a code lattice does not have one — its output is flat almost everywhere and jumps on a set of measure zero — so quantisation can be bounded and never propagated. The bound is 1.15 colour differences at eight bits per channel against a mean of 0.19, and it is worst where the encoding spends fewest codes.

matching · Gamut
The same highlight, clipped in two places. A ramp running from inside the sensor's range to 1.6 times over it, clipped at the sensor and clipped after the matrix. Below the ceiling the two are identical to the floating-point floor. Above it they part, reaching 21.0 colour differences and 78 degrees of hue. Clipping late keeps a highlight neutral and clipping early keeps its hue, and converters do both.

Two converters and one highlight

The clip is the only step in a raw pipeline that destroys information rather than moving it, and it is the step whose position varies most between converters. Below the sensor's ceiling its position changes nothing at all, exactly. Above it, clipping at the sensor and clipping after the matrix land twenty-one colour differences and seventy-eight degrees of hue apart, and which hues are affected is a property of the camera's own dyes.

imaging · Capture
The budget's three numbers, and the units they are in. The published three-stage budget's own figures, with each one's unit named, beside the same stage re-measured in a single unit over the same colours. Two of the three are colour differences between stimuli and the third is a distance between appearances, and the budget adds them. The fourth row is a stage the budget has no entry for: the colours the separation cannot reach even after the mapping has moved them, which comes to 1.45.

The budget adds two units

This collection publishes a three-stage error budget for a colour-management chain and prints its sum. Two of the three stages are colour differences between stimuli and the third is a distance between appearances, and the conversion between those is not a constant. Re-measured in one unit over the same colours the chain has four stages rather than three, its end-to-end error is 5.05 against a sum of 7.66, and the profile's contribution where a job actually lands is 3.2 times its published average.

applied · Delivery
Six departures, and three ways of adding them up. The six audited observer departures on 120 smooth reflectances, across the dial. Summing them assumes they all point the same way and is an overestimate everywhere; taking the largest alone assumes only one matters and is an underestimate everywhere. Quadrature — the usual way of combining contributions taken to be independent — assumes they are mutually perpendicular, and the measured combination crosses it at a degree of 0.8618. Below that the departures are on balance pointing together and quadrature is too small; above it they are on balance pointing apart and quadrature is too large. It is exactly right in one room.

Quadrature is exact in one room

An observer allowance is built by adding the departures in quadrature, which assumes they are mutually perpendicular. Over fifteen pairs their angles run from 18 degrees to 179 and hardly any are perpendicular. Measured against the real combination, quadrature is too small in a cinema by eight per cent and too large under the sky by fourteen, crossing at an adapting luminance of 22 candelas a square metre — and on individual surfaces it is out by a third in both directions in every room.

difference · Metric
Three bounds against the error they bound, over 68 notches under a fluorescent tube. Each notch placed across by its actual colour error from blurring the lamp and the sample separately, and up by a bound on that error, both on logarithmic scales; the dashed diagonal is where a bound equals the error, and a valid bound sits above it. Cauchy–Schwarz with the true window variances is above the diagonal on every notch, a median 14.7 times the error. Estimated from the blurred tables it falls below on 6 of 68, as low as 0.45 of the error. The Bhatia–Davis bound from the tables and declared ranges is above on every notch and a median 196 times the error.

The tables cannot bound what they discarded

A colour computed from a lamp's blurred table and a sample's blurred table is wrong by the covariance the two blurs threw away, and Cauchy–Schwarz bounds a covariance by two variances. With the true variances the bound always holds and sits fifteen times above the error. With variances read from the tables it fails on six of sixty-eight notches under a fluorescent tube and twenty-two under a laser projector — on the line, where the error is largest. A blurred table does not carry the width of a line, and the covariance depends on it.

light · Light
What declaring a narrowest feature buys, and where it stops being true. The median looseness of a Cauchy–Schwarz bound whose lamp variance is bounded by a declared narrowest feature, against the width declared, for a fluorescent tube and a three-laser projector. Each lamp's own Bhatia–Davis bound — the peak declared and nothing else — is the upper dashed line, and the bound with the true variances is the lower one. The marks are the width each lamp's lines actually have. Declaring it truly takes the tube from ×196 to ×86 and the projector from ×30 to ×14. The open circles are declarations the lamp does not meet, where the bound falls below the error.

A declared width buys a factor of two

A colour engine given two separately blurred spectral tables cannot bound its own error from them, and the bound that always holds — the peak declared and nothing else — sits a median 196 times above the error under a fluorescent tube. Adding one number, the width of the lamp's narrowest feature, brings that to 86. It never fails on any declaration the lamp truly meets, it fails on 47 of 68 notches on one it does not, and its rank correlation with the error it bounds is 0.27.

light · Light
Narrowing the slit makes the declared-width bound looser, not tighter. The median ratio of the declared-width bound to the error it bounds, over sixty-eight notches under each lamp, with the slit and the grid narrowed together from five nanometres to one and each lamp declaring its true line width; the dotted lines are the bound with both variances known. Under the tube the declared bound goes from ×86 at five nanometres to ×253 at one, while the true-variance bound stays between ×12 and ×15. Under the projector the declared bound lies on its true-variance bound at every slit.

A narrow slit shrinks the error, not the bound

A colour engine given two separately blurred spectral tables can bound its own error if the lamp declares its narrowest feature, and under a fluorescent tube that bound sits 86 times above the error at a five-nanometre slit. Narrowing the slit was supposed to close the gap, because a comb of narrow features stops fitting in a narrow window. It does the opposite. At one nanometre the error falls 27-fold and the bound only sevenfold, so the bound is 253 times loose and certifies no notch within a colour difference. The looseness was never the comb. It is the lamp's one declared peak, charged to every window.

light · Light
The ceiling a table reads for each window, against the lamp it came from. The fluorescent tube between 525 and 590 nanometres, with the green and yellow mercury lines, and for each window of a one- and a five-nanometre slit the highest the lamp could be there according to the table's own entries. The dashed line is the tube's peak, which the global declaration charges to every window. At one nanometre the ceiling follows the lamp, a median 2.05 times each window's true peak; at five it sits on the global peak for twenty nanometres either side of each line.

A narrow table can vouch for its own peaks

The bound a colour engine can put on its bandpass error is loose because a lamp declares one peak for its whole spectrum and the bound charges it to every window. A table measured through a slit about as narrow as the lamp's lines can do better: no feature of the declared width can be blurred below a computable fraction of its height, so the table's own entries cap how tall the lamp can be in each window. At one nanometre that ceiling is never below the truth and sits twice above it, where the global peak sat twenty times above. The bound halves, and for the first time it certifies notches within a colour difference. At five nanometres it buys nothing at all.

light · Light
A finer grid shrinks both arrangements, and the gap between them stays. The mean error over sixty-eight notches of the best fixed pair of separate slits and of one slit on the reflected light at the grid's own step, on grids of one, two and five nanometres, under the tube and the projector. The tube's best pair falls from 0.256 to 0.019 and reaches the product's five-nanometre error of 0.016 without passing it; the product on the same fine grid is 0.0007. Under the projector the pair at one nanometre is 0.135.

A finer grid keeps the price of separating

A sample's reflectance and a lamp's spectrum measured through separate slits can be reused under any other lamp; measured together through one slit on the reflected light, they are fifteen times more accurate and belong to that one lamp. A finer grid was expected to close the gap, because a one-nanometre table barely blurs anything. It closes most of the distance to the old answer and none of the distance to the new one. On a one-nanometre grid the best separate pair under a fluorescent tube is as good as one slit on the product used to be at five, and one slit on the product on the same fine grid is twenty-nine times better again.

light · Light
Where a sharpened serif letter's error is seen, in black type and reversed, 10 point. The serifed letter E at 10 point, sharpened on stored values rather than on light, as the eye's three spatial channels leave the difference at forty centimetres, in black type on paper and in paper-coloured type on black, on one scale. Dashed circles mark the serifs' corners: their tips and their brackets against the stems. In black type the error lies along the strokes' dark side and the serifs' corners hold little of it; reversed, it gathers round the serif tips, which hold 11 per cent of the letter's seen error against 3 in black type.

A serif moves the error and adds little

When a scanned page is sharpened on its stored values, the error the eye sees lies on the dark side of every edge, so black sans-serif type does not gather it at its corners. The worry was that a serif changes that: every stroke end gains a bar and every bar an inside angle, the configuration where large letters did gather error. It does not. Black serif type's brackets hold three quarters of their share of the error and its serif tips half. Reversed, the serif tips hold two and a half times theirs. Across both, serifs lengthen the outline by a tenth and the error by a few per cent — they move it, and in black type away from the corners.

applied · Delivery
A correction measured under one tube, carried to seven other lamps. For each lamp, the mean error over sixty-eight notch filters of the separable table (upper bar), of the separable table corrected by the ratio of product to separable colour measured under the census tube (middle), and of the product measured under the lamp itself (lower). Under the census tube the correction is the product exactly; under tubes with other line widths or a moved phosphor bed it removes nine tenths of the error; under a tube with its lines re-mixed, 63 per cent; under the laser and the LEDs it makes things worse.

A correction travels with its lines

Keeping a sample's reflectance and a lamp's spectrum as separate tables costs fifteen times the error of measuring their product under a fluorescent tube. The middle course proposed was to measure the product once under a representative tube, store the ratio of product to separable colour with the sample, and apply it under any tube. Under tubes whose lines are narrower or wider, or whose phosphors sit elsewhere, it removes nine tenths of the error. Under a tube with the same lines in a different mix it removes under two thirds, and less the further the mix moves. Under an LED or a laser it makes things worse — a white LED five times worse than no correction. A class of lamps, for this purpose, is a mix of lines.

light · Light
How well the table's entries around the 546 nm line fit each width of line. For the tube's green mercury line, 1.2 nm wide, the seven table entries around it fitted by a line of each width from 0.2 to 12 nm through the same slit on a sloping background, centre, height and background free: the best fit's miss. Through a one-nanometre slit the miss has a sharp minimum at the true width and only widths near it pass half a per cent; through two, a broader dip; through three and five the curve is flat from the narrowest width tried up to about two, and any of them passes.

A narrow table declares its own lines

A bound on a colour table's bandpass error needs one number from the lamp's maker: its narrowest feature, 1.2 nm for a fluorescent tube. Through a slit about as narrow as that feature, the table's entries around each line carry its width. Measured to half a per cent, a one-nanometre table's entries admit only line widths within four per cent of the truth, and a bound built on the narrowest of them is within two per cent of the bound on the maker's number. Through two nanometres the table still declares a usable width. Through three it cannot rule out a line five times narrower, and the bound it supports is the global one. The failure is as sharp as predicted, and never unsafe.

light · Light
A pair is refused once it is split by about a grid step. Two 1.2 nm lines centred on 578 nm and split by 0.3 to 4 nm, tabulated through slits of one, two and three nanometres on grids of the same step, and the least miss of any single line fitted to the entries round the peak. Each slit's curve crosses half a per cent between three quarters of its own step and one full step: a one-nanometre table refuses a pair split by 0.9 nm, a two-nanometre table one split by 1.8, a three-nanometre table one split by 3.

A table can refuse a pair it cannot resolve

A narrow spectral table reads each of its peaks as one line and declares the line's width from the entries round it, and the assumption under that is that every peak is a line. Split the mercury tube's yellow into the real pair at 577 and 579 nm and the table notices: through one and two nanometre slits no single line fits the entries within half a per cent, so the table refuses to read a width there. Swept apart, a pair is refused once it is split by about the grid step and admitted when it is closer — always as one wider line, up to 3.3 times too wide. Through three nanometres the pair reads as a 3.2 nm line, and a 3 nm europium band beside it reads the same.

light · Light
Wings raise the width a table declares, and it follows the line's half maximum. The width the tube's table declares for itself at half a per cent — the narrowest width any of its peaks admits — as every mercury line is given Lorentzian wings from nothing to half its core's width, through one and two nanometre slits, beside the Voigt line's own full width at half maximum. With no wings both slits declare under 1.2 nm; with wings a quarter of the core's, 1.36 through 1 nm and 1.41 through 2 nm, against a half-maximum width of 1.37. Through one nanometre the table declares nothing at the widest wings: every line is refused.

A line's wings widen the width a table declares

A narrow table declares its lamp's narrowest line width by fitting each peak with a Gaussian, and the worry was a line whose profile is not Gaussian: a mercury line broadened by collisions has Lorentzian wings on its core, every line shares them, and a Gaussian fit can only take the wings in by widening. It does. With wings a quarter of the core's width, the table declares 1.36 nm for a 1.2 nm core — close to the winged line's own half-maximum width, 1.37. The prediction called that the unsafe direction. It is not: the ceiling and the variance the earlier bound builds on the declared width never fall below the winged lamp's own, because through a slit a winged line behaves like the wider line the table says it is.

light · Light
Where the ceiling on a self-absorbed line holds, and where it does not. In the windows within four nanometres of the 546 nm line, the smallest ratio of the ceiling the tables put on a window's peak to the absorbed line's true peak, built on the narrowest width the table admits for the line and on the emitted 1.2 nm, through each slit. On the admitted width the ceiling holds to a depth of three and falls below the peak at 3.5 (×0.981) and 4 (×0.885) through two nanometres. On 1.2 nm it holds through two nanometres at every depth.

A reversed line is read as one line

A strong mercury line in a dense discharge absorbs its own centre on the way out: at an optical depth of one its top is flat, and beyond that it dips, until at four the line is two humps with a trough eighty per cent deep between them. The prediction was that a one-nanometre table refuses such a line from a depth of about one and a two-nanometre table reads it as a Gaussian about the width of its flat top, safely. Both hold, and the second only up to a point. A two-nanometre table admits the line at every depth to four, and from three and a half the width it admits is too wide for the humps: the ceiling built on it falls eleven per cent below the line's true peak. The only line that could make a declared width unsafe was one narrower at its peak than its entries suggest — and a reversed line is exactly that.

light · Light
How many directions each lamp costs a slow pigment, counted at three depths. For nine lamps, the share of the object-colour solid's directions in which a slope-limited pigment falls short of the ideal pigment's reach by more than one, three and five per cent. The broadband lamps' counts fall three- to eightfold from one per cent to five, and the emitters' and the triphosphor tubes' as much or more; the clear mercury lamp's falls least, from 14 per cent to 7, and at five per cent it costs more than the emitters' 3 and the tube's 2.

A mercury lamp's few losses are deep

Every census of what a slow pigment can reach has counted the directions of the object-colour solid it misses by more than one per cent, and by that count a clear mercury lamp — four visible lines and nothing else — spares a pigment as well as three narrow emitters do. Read for depth, it is the one lamp of nine whose losses do not fall away: half of what a slope-limited pigment loses under it, it loses by more than five per cent, and its mean shortfall is half as large again as under the emitters or a triphosphor tube. Every one of those losses is the same kind of colour: one that reflects the mercury's green line at 546 nm and absorbs its yellow line at 578, or the reverse, 32 nm apart. The dark-share rule that ordered the counts orders the depths less well.

limits · Limits
Where a two-nanometre table's ceiling on a notched line fails. In the windows within four nanometres of the 546 nm line, the ceiling built on the narrowest width a two-nanometre table admits for the line, as a multiple of the absorbed line's true peak, behind columns a whole, a half and a third as wide as the line. The uniform column's ceiling crosses below one at a depth of 3.42 and ends where the table refuses the line; the half and third columns' cross at 2.34 and 2.35 and are never refused, falling to ×0.73 and ×0.80 at a depth of five.

A notch in a line is never refused

A dense discharge's green mercury line loses its centre to the atoms between the glow and the tube wall, and those atoms are cooler than the glow, so their absorption is narrower than the line it cuts. With the absorbing layer half or a third as wide as the line, a one-nanometre table still refuses the line from an optical depth of one, exactly where it refused the broad dip. A two-nanometre table never refuses it at all: to a depth of five, with ninety-eight per cent of the centre gone, one Gaussian fits its entries within a seventh of a per cent. And the ceiling built on the width it reads fails from a depth of about two and a third — a whole unit sooner than behind a column as wide as the line — and never recovers, falling to three quarters of the true peak.

light · Light
How sharp each corner of two displays is, in CIELAB and in ΔE₀₀. For the three primaries and three secondaries of sRGB and BT.2020, the move per unit of margin that a perfect corner of each one's tangent shape makes in CIELAB and carried into ΔE₀₀ by its full local matrix. The blue is ×3.35 and ×3.17 in CIELAB, against the press's blue at ×1.25; in ΔE₀₀ it is ×1.42 and ×1.26. ΔE₀₀ brings every corner of both displays under ×1.9.

A display's blue is sharp where the rotation is not

ΔE₀₀'s rotation term shears chroma into hue near a CIELAB hue of 275 degrees, and at a press's blue corner it had nothing to act on because the corner was blunt. The prediction was that a display's blue — an additive primary — would be a sharp corner, and that there the rotation would change how far a safety margin moves it by more than a tenth. The first half holds: sRGB's blue moves 3.35 times a CIELAB margin and BT.2020's 3.17, against the press's 1.25, and insetting the curved gamut directly confirms it to the second decimal. The second half fails, twice. A display's blue sits at 306 degrees, thirty past the rotation's centre, where the term grips a quarter as hard; and ΔE₀₀ blunts the corner to 1.42 by compressing its chroma sevenfold. Along the edge from blue to cyan the hue does pass through 275 and the grip reaches −0.87 — where the edge is nearly a face. Nowhere near either display's blue does the rotation move a prediction by four hundredths.

matching · Gamut
The best band pigment for a direction that splits the green from the yellow. Under the clear mercury lamp, the direction of the object-colour solid with the pattern −−+− over the 405, 436, 546 and 578 nm lines that the three-band pigment reaches least well, searched from 680 starts: its reflectance, 5.4 per cent short of the ideal, with bands at 607 nm, 427 nm, 607 nm; and with a fourth band, 4.3 per cent short. The fall between the green line and the yellow is made by stacking bands on one side of it, never by a narrow peak between two.

A pair of lines asks for a cliff, not a gap

Under a clear mercury lamp, every direction of colour a slow pigment loses by more than five per cent asks it to reflect one of the lamp's green and yellow lines, 32 nanometres apart, and absorb the other. The prediction was that a pigment of two absorption bands with a narrow gap between them — a peak no single transition can make — would recover those deep losses. No direction asks for a peak. The lamp's four lines leave only one transition within a hundred nanometres of another, so what a splitting direction needs is a cliff: one flank falling from reflecting to absorbing in the twenty-five nanometres between the green line's last strong sample and the yellow's first. One band at the census's depth takes 27.8 to fall that far; two stacked at one centre take 24.9. Searched from 680 starts, the census's own band model does exactly that — stacks its bands on one side of the pair — and reaches further than the census found in seventeen directions of twenty-five. What stays deep spends a band on the blue.

limits · Limits
Where a reversed tube's table declares a width its ceiling cannot stand on. With every mercury line behind its own column, in proportion to its strength, the ceiling built on the width the whole table declares — the narrowest any of its peaks admits — as a multiple of the reversed lamp's true peak in the worst window, through one and two nanometres behind columns as wide as the lines and half as wide. The one-nanometre lines stop where the table refuses every peak and declares nothing. Through two nanometres behind the cooler column the table never stops declaring, and its declaration is unsafe from a depth of two and a half, falling to ×0.69.

A reversed tube declares from its least reversed line

A spectral table declares its lamp's line width as the narrowest width any of its peaks admits, and that declaration survived every reversed line so far because the tube's other lines were left unreversed to set it. A real discharge reverses its strong lines together. With every mercury line behind its own column, in proportion to its strength, the prediction was that a one-nanometre table would refuse every strong line and declare from the weak violet line, and a two-nanometre table would declare an unsafe width from a green-line depth of two and a half. The violet line is never read as a peak at all. The yellow line, the least reversed of the three that are, sets the declaration at every depth and widens it as it reverses. Through one nanometre the table refuses the blue and green lines and goes on declaring from the yellow — unsafely, in the violet's window, the one line the table never checked. Through two nanometres behind a cooler layer it refuses nothing, and from two and a half its declaration fails in the blue line's window, down to seven tenths of the true peak.

light · Light
What ΔE₀₀'s chroma length alone does to each corner of two displays. For the six corners of sRGB and BT.2020, the move per unit of margin their tangent shapes predict in CIELAB, with ΔE₀₀'s chroma length alone, and with its lengths along lightness, chroma and hue together. The chroma length alone brings every corner but the yellow under ×1.35; it leaves the yellow at ×1.78 and ×1.80, and the full metric at ×1.75 and ×1.78.

The yellow is sharp where the tolerance unit does not compress

A safety margin moves each corner of a display's gamut inward by a multiple of itself that depends on the corner's shape. In CIELAB, sRGB's blue is its sharpest corner and its yellow among its bluntest; carried into ΔE₀₀, the order turns over, and the yellow becomes the sharpest corner of both sRGB and BT.2020. The prediction was that the yellow keeps its sharpness because its faces run along lightness, where ΔE₀₀'s weighting is largest at the yellow's L* of 97. Taking ΔE₀₀ apart length by length says otherwise. Its lightness weighting changes the yellow's move by nothing. Its chroma compression — the term that opens every other corner — does, on its own, bring every other corner of both displays under 1.35 times a margin, and leaves the yellow at 1.78. Of the yellow's three directions only one runs along chroma; at the other corners two or three do, and a metric that compresses chroma pulls those together and flattens the corner between them.

matching · Gamut
Searched harder, the band pigments lose fewer directions under every lamp. Under each of nine lamps, how many directions of the object-colour solid each pigment model reaches less than ninety-nine per cent as far as the ideal pigment: the slope limit, solved exactly, and the two band models searched from 594 starts, with the census's count from its few structured starts beside them. Over the nine lamps the band model's count falls from 395 to 335 and the energy model's from 370 to 311; the slope limit's 463 does not move.

A harder search pulls the band pigments away from the slope limit

Every count in the pigment-limit censuses — how many directions of the object-colour solid a slow pigment cannot reach within one per cent of the ideal — compares a slope limit solved exactly with two band models searched from a few structured starts. Under the mercury lamp a search from 680 starts had already found the band model reaching further in seventeen of twenty-five directions. Searched from 594 starts under all nine lamps, both band models reach further in between three fifths and nineteen twentieths of the directions they lost, and their counts fall by a sixth: 395 to 335 for bands in nanometres, 370 to 311 for bands in energy, while the slope limit stays at 463. The rankings the censuses reported hold where they were stated. What moves is everything measured against the slope limit: its lead over the band models grows from a sixth to more than a third, the coating's odd ranking — bands losing more than the slope limit — disappears, the triphosphor tube passes the three emitters for bands in nanometres, and under the mercury lamp the band models' deep losses halve.

limits · Limits

Named alongside it

The objects these essays reach for when they reach for this one.

Spectral structureBandpassBoundDeclared inputSpectrophotometryModelling assumptionWavelength gridFluorescentInstrumentMeasurement uncertaintySamplingSpecification

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