Colour Science & Perception
what the eye settles, and what it cannot
Concept

Uniformity — where it appears

How nearly a colour space makes a numerical step mean the same perceptual step everywhere and in every direction. It is measured against discrimination contours and has two independent parts — their shape, which is about direction, and their relative size, which is about place — and no space achieves either exactly.

Named by 4 essays across 2 fields — each of them below, with the objects they name alongside it.

The minimum sits in a notch the width of the answer's reciprocal. The distance from the centre to the boundary, all the way round one MacAdam ellipse mapped into a lightness–chroma space built on the CIE RGB primaries. The curve has two broad maxima and two very narrow minima: the dip is about 2.5 degrees wide at a third above its floor, because the width of the minimum of an ellipse's radius is the reciprocal of its axis ratio, and this ratio is 41. Forty-eight sample points, marked, are spaced 7.5 degrees apart, so none of them lands in either notch and the smallest one found is 2.2 times the true minimum. The ratio comes out 18.59 where it is 40.76.

An ellipse is not a ring of points

For eleven rounds of argument the distortion a colour space does to MacAdam's ellipses by mapping forty-eight points round each one and dividing the longest radius by the shortest. The minimum sits in a notch whose width is the reciprocal of the answer, so the method was accurate wherever the answer was small and short by a factor of two where it was large.

difference · Metric Three numbers for one set of ellipses, and which of them is which. Two curves and a horizontal line, against the size the ellipses are drawn at. The line is the analytic axis ratio — the ratio of the singular values of the map's own derivative, which is what "does this space make discrimination contours circles" means. The upper curve is a very finely sampled ring, which sits 0.6 per cent above the line at full size and converges onto it as the ellipse shrinks, because the gap between them is the second-order distortion of the map across a real ellipse rather than an error. The lower curve is the forty-eight-point sample used for this until now: it does not converge onto anything, because its error is set by the sample and not by the size.

Three numbers for one ellipse

How far a colour space is from making a discrimination contour circular has three different answers — what a coarse sample of the boundary reports, what a converged sample of a contour of stated size reports, and what the map's own derivative says. They differ by up to a factor of two, they mean different things, and only one of them is what the question is asking.

difference · Metric How far each unit is from being a rescaling of the one this collection publishes in. One row per unit on the menu. The bar is the root-mean-square scatter about that unit's own best rescaling of ΔE2000, over 374 pairs of surfaces differing by a fraction of a unit to about ten. A bar of zero would mean the unit is ΔE2000 in different money — every printed number would change and no conclusion would. ΔE2000's own row is zero by construction and is the check that the table is computed the right way round. The two units that divide a chroma difference by the chroma it was measured at, ΔE94 at 15 per cent and CAM16-UCS at 24, are closer to it than the three that do not, which run from 28 to 35. The split is by weighting and not by whether the unit is a matching difference or an appearance one.

The weighting is the disagreement

Five colour-difference formulae, three decades and two committees, and the single property that predicts which of them agree is whether a chroma difference gets divided by the chroma it was measured at. It sorts the menu exactly, it cuts across the distinction between a matching difference and an appearance one, and it halves the census's largest sensitivity.

difference · Metric MacAdam's twenty-five ellipses, measured in each unit. The uniformity instrument used here, applied to units rather than to spaces. The upper bar is anisotropy — the mean over the twenty-five of the largest radius divided by the smallest, where 1 would be a circle. The lower is spread — the largest mean radius divided by the smallest across all twenty-five, which asks whether a step of the same size means the same thing in different parts of the diagram. Reading down the three CIELAB-based formulae in the order they were published, the anisotropy falls 3.42 → 2.89 → 2.74 and the spread rises 3.24 → 3.59 → 4.12: the weighting divides a difference by the chroma it was measured at, which equalises directions at a point and unequalises magnitudes between points. Neither number is scaled, so no calibration is applied here. CAM16-UCS is ahead on both.

A unit rests on a space that was ranked

This collection ranks three colour spaces by how nearly they make MacAdam's ellipses circles, and CIELAB comes last. It then publishes every difference it computes in a formula built on CIELAB. Turning the same instrument on the formulae rather than the spaces shows the repair works — and that it buys roundness by paying in evenness.

matching · Gamut

Named alongside it

The objects these essays reach for when they reach for this one.

MacAdam's ellipsesAnisotropyAppearance modelCalibrationChromaCIEDE2000CIELABColour differenceJacobianJust-noticeable differenceSamplingSingular value

All concepts