The thread: The instrument is the reader — page 5
A sensor designed for its inverse
A camera's white balance is a gain in a basis made from its own dyes and the light in the room. Choose the dyes for that basis instead of for cost and quantum efficiency, hold the sensor within a stated distance of the Luther condition, and the design reaches the best adaptation figure any basis achieves — and then the room moves it.
The condition chooses no axes
It has long been said here that a sensor satisfying the Luther condition exactly adapts worse than a silicon one, and offered a reason — that its channels are the matching functions, and a gain on those is the oldest mistake in the subject. The measurement was of one sensor. The condition leaves the axes entirely free.
A pool with an edge
A Gaussian pool says how much of a stabilised image survives and can say nothing about what the remainder looks like, because a Gaussian has no edge. Give the pool a boundary and the interior of a faded region takes the average of its own border — exactly, by the mean value theorem, arriving as a prediction about appearance.
A gap in the drive, not in the wall
Break the contour around a region and leave its border signal unbroken, and the interior does not move by one part in a million — a ring of driven cells encloses a centre whatever the wall outside it is doing. Break the signal too and the shortfall goes as the square of what is missing. All of what a gap costs is the piece of border that stopped driving.
A constraint costs what it points at
Three primary chromaticities remove three of the nine numbers in an adaptation basis and cost one per cent. Three dichromat confusion points remove six and cost seventy. Counting what a constraint removes predicts neither, because an optimum is a long bowl and what matters is which way the constraint points.
An extremum is not a sample
Three separate measurements in this collection took a maximum or a minimum over a sample of a set — forty-eight points round an ellipse, twenty-four directions out of an optimum, fourteen changes of light off a list. All three are wrong, all three are wrong in the same direction, and the error in each grows with the very quantity being measured.
A template cannot place a point
This collection's model of an eye is good to a few tenths of a per cent at predicting what a cone catches, which is far more than enough to place a spectrum. Asked where that eye's confusion points are, it puts the protanope's at (0.99, 0.20) against a measured (0.75, 0.25) and the deuteranope's anywhere from (1.1, −0.5) to (−18, 11) depending on which stimuli the fit was made over.
A width nobody varied
Five numbers say how much people differ from one another, and every conclusion drawn here about a population rests on them. Each was written down with the range the literature reports beside it, so that a result could be re-read at the pessimistic end. Nothing ever was.
Which measurement is worth making
Four things about an eye differ between people, and they have been ranked here by how much of the answers they carry since the population was built. Ranking them by how much doubt they carry gives a different order, and ranking them by which one takes a published claim closest to failing gives a third.
How wrong would the data have to be
Twenty-five ellipses measured on one observer in 1942 are the ruler every colour space here is judged against, and they have never been given an error. Rather than invent one, the question is turned round, and asks how large an error would have to be before the ranking changed.
Twenty-five is a sample of the diagram
A colour space's uniformity score is the mean of twenty-five numbers, and a mean of twenty-five numbers has a standard error those twenty-five numbers determine. Nothing has to be quoted to compute it, and three of the seven adjacent pairs in this collection's ranking survive it.
The surround is three rows of a table
An appearance model takes the room as three constants, and the standard tabulates three rooms. Every appearance figure in this collection is drawn at one of them. The parameter they are three points of is continuous, and the middle row is not in the middle.
A discount nobody measured
Every adaptation number in this collection assumes an observer who adapts completely. The appearance model's own formula says they do not — it puts the degree at 0.94 in an ordinary room — and the difference is not a rounding. It is a factor of 1.7 on the residual every one of those figures reports.
How far a quadratic can be believed
A second-order model has a radius inside which it describes a surface and outside which it does not, and that radius can be measured. Measured at eight places on one objective, it is smallest at the optimum — the one place anybody ever takes a Hessian.
What would have to be wrong
A great many statements here have thresholds written into them, which turns out to make an audit possible — for each one, the smallest change in a declared input that would stop it holding. Most are unreachable. One is inside a factor of one and a third.
The census is a construction too
Five of the fourteen changes of light this collection scores adaptation transforms against are not measurements of anything — they are a wall somebody invented, at a wavelength somebody chose. Moving those constants by amounts plausible in their own units moves the mean residual by two fifths and never changes which transform wins.
The widths were free because nothing else was asked
A camera's three dye bandwidths carry almost all of the flattest direction of the adaptation objective, so that objective says a tolerance budget belongs on the centre wavelengths. The two requirements it was said to be silent about turn out not to bind either — and the one that does was in the model already.
Only the flat directions keep their names
Three of the nine numbers a colour match leaves free do nothing, and they do nothing everywhere — exactly, at every basis in this collection's table. They are the objective's own principal directions at one point only, and everywhere else the directions carrying the curvature have turned by tens of degrees.
The slope arrives before the bowl
The adaptation transforms colour management actually uses are not optima of anything. At every one of them the objective has a slope, and the slope is the larger term over almost the whole distance to the best matrix — so a table of curvatures taken there describes a bowl nobody meets on the way anywhere.
Downhill from a published matrix
Walking steepest descent from each adaptation transform in use closes between a quarter and nine tenths of its distance to the best one, and most of that in the first step. The direction it sets off in is eighty to eighty-seven degrees away from the answer, and that turns out not to be an artefact of the three directions nothing can see.
A mean has a set under it
Every adaptation number this collection publishes is an average over a hundred and twenty-five surfaces that were written down once, in one file, with no argument for how many there should be or how saturated. The average runs from exactly zero to twice itself across them, and the set has never been varied.
A lattice is a quadrature rule
Walking a set of test surfaces more finely does not converge on a better answer, because refining a lattice under a constraint changes which corners of the region get sampled and not only how densely. The lattice used here turns out to be a two per cent biased estimate of the integral it stands for.
The error on a gap is not the errors at its ends
Comparing two rows of a table by looking at whether their error bars overlap is the wrong comparison, and here it is wrong by a factor of up to 3.4. The same 125 surfaces score both rows, so the difference between them is quieter than either — and how much quieter is a measurement of how alike the two rows are.
Four steps the test set cannot order
The adaptation census prints fourteen numbers to four figures and its ranking is asked to say which lamps adaptation handles worst. Nine of its thirteen steps are established beyond any doubt the test set can raise; the other four are not, and three of them are consecutive — a tungsten lamp, a halogen lamp and a white LED are simply not ordered.
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