Lightness against colourfulness, in a booth and on a screen
Drawn at its defaults, in ink, profiles and delivery.
It reads 5 options and
no others: from, to, labs, show, coverage.
Called by 2 essays
the blast radius of changing it
The proof is a different object
A soft proof can be made colorimetrically exact and still not match the print, because the print is in a booth at two thousand lux with an average surround and the screen is in a dim room at a fifth of the luminance. The appearance model puts four CAM16-UCS units between them, with no change of stimulus anywhere — larger than the error any rendering intent is arguing about.
What it takes to deliver itMeasured with an aperture, seen with an eye
A spectrophotometer averages a halftone patch and reports one reflectance. An eye blurs it first and compresses afterwards, and the average of a concave function is below the function of the average — so a resolvable screen looks darker than it measures, by fourteen lightness units at a coarse ruling and by nothing at a fine one. The correction a press applies is the same size and has no viewing distance in it.