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The thread: Computed, not quoted — page 13

Every swatch begins as a spectral power distribution and is carried through the colour-matching functions as it is drawn. None is a hex code recalled from a table.
Four departures from the model equation, each at an ordinary strength. What each of the four assumptions inside a colour integral costs, in ΔE₀₀, on a stated sample under a stated light. The wavelength index is a coated printing paper measured with and without the ultraviolet of D50; the range is the same paper integrated from 300 nanometres and from 380; the place index is a pigmented plastic through a four-millimetre radius; the direction index is an eggshell paint beside a window. The spread is a factor of 7.0. This is a ranking of four examples rather than of four departures — each of them can be made larger by choosing a more extreme sample, and the marble in the same collection of materials reaches 12.7 on the index that comes third here. What it takes to deliver it

Which index to buy an instrument for

Four departures from the colour integral, ranked by what they cost and by what it would take to remove each one. The ranking by cost and the ranking by price are almost exactly reversed — the two largest are removed by specifying a lamp and by widening a table, and the two that need new hardware are the two smallest.

A radiance factor, split into the part that was reflected and the part that was not. The two components of what leaves a coated press stock under M₁ — D50 including its ultraviolet. The lower band is the reflected component, which is what a reflectance curve means and is everything a reflectance-based model can hold. The band above it is light emitted at wavelengths it did not arrive at, and its total is decided by how much ultraviolet the source had rather than by anything about the sheet's colour. The line at one is the boundary a reflecting surface cannot cross; the sum reaches 1.15 at 430 nanometres. What light is

The ultraviolet is half the product

A fluorescent sample's departure from the reflectance model is exactly proportional to the ultraviolet the lamp carries — to twelve figures, over a range that includes zero. It is the only one of the round's four departures that really is a product of two magnitudes, and the reason is a rule about how molecules relax rather than anything about arithmetic.

Six functions of wavelength, and the six different places they stop. Every table this collection integrates against, drawn over the range the body that published it defined it on. The scale is logarithmic so that the ultraviolet and the near infrared both fit. The bottom row is the range used here before the infrared band was added, and it is the intersection of the two rows that matter for an eye looking at a reflector — which is the right answer only while everything in the integral is being multiplied together. The daylight basis runs 80 nanometres further down than that intersection, and it was published that way because the ultraviolet in daylight is what makes a brightened sheet of paper glow. The analytic row is drawn to the edge of the plot because it has no edge: Planck's law is a formula and is exact at every wavelength, which is why illuminant A needs no table at all. What light is

The grid is a range, not an index

Three of the four departures in this round restore an argument the model dropped. The fourth does not — the 380-to-780-nanometre grid is the range of the one argument the model kept, chosen in the first weeks and never revisited. It costs 6.70 ΔE₀₀ on a coated printing paper, it is the cheapest of the four to fix, and it is the one still unfixed.

What is read at each distance from the edge of a lit region. Three materials under a half-plane of light, with the boundary at the centre of the horizontal axis and the lit side on the right. The vertical axis is the radiance leaving the surface as a share of what it leaves far inside the lit region. On the unlit side the sample is emitting light while receiving none, so the ratio the model calls a reflectance has a zero denominator there. The distance over which the curve runs from a tenth to nine tenths is 0.21 millimetres on coated paper and 5.1 on pale marble — which is the width of the neighbourhood a point's colour is decided by. What a camera does

A pixel has an aperture too

A camera photographing a translucent object has the same two discs a spectrophotometer has — one lit, one looked at — and gets them the other way round. Its illumination covers the whole scene, so the flat colour of a translucent surface comes out exactly right at any magnification, and the error moves entirely into the edges.

An aperture and a gloss lobe, apart and together. Six materials, each measured through a four-millimetre radius and each given a gloss lobe, alone and at the same time. The pale bar is what the two cost added together as if they were independent; the dark one is what they cost when both are present. Every material comes out below the sum, by between 0.8 and 3.6 ΔE₀₀. The two departures partly cancel: the aperture removes light that went into the material and came back out too far away, and the interface returns light that never went in at all. Measuring either one alone therefore overstates what both together do, which is the opposite of the way interacting errors are usually assumed to behave. Difference and uniformity

Two departures that partly cancel

A glossy translucent sample has two of this round's four departures at once, and the expectation was that they would compound. They do the opposite. An aperture takes light away that went into the material and came back too far out; an interface returns light that never went in at all — so measuring either alone overstates what both together do, on every material tested.

Two slabs with one reflectance, and two colours through an aperture. Two constructed media whose bulk reflectance agrees at every wavelength to fifteen figures, and whose diffusion lengths differ by a factor of four. The upper curve is that shared reflectance — both slabs lie on it exactly. The two patches on the right are what a 4 millimetre radius returns from each, and they are 6.3 ΔE₀₀ apart. This is a metamerism with no observer in it: the two samples are the same colour to anybody under any light, and the instrument separates them because it is measuring a kernel through a hole rather than measuring a reflectance. Matching and measuring

A pair the aperture separates

Two constructed slabs with the same reflectance at every wavelength, to fifteen figures — the same colour to any observer under any light — and 6.25 ΔE₀₀ apart when measured through a four-millimetre aperture. It is a metamerism with no observer in it, no illuminant in it, and no spectral difference to construct it from.

What is read at each distance from the edge of a lit region. Three materials under a half-plane of light, with the boundary at the centre of the horizontal axis and the lit side on the right. The vertical axis is the radiance leaving the surface as a share of what it leaves far inside the lit region. On the unlit side the sample is emitting light while receiving none, so the ratio the model calls a reflectance has a zero denominator there. The distance over which the curve runs from a tenth to nine tenths is 0.21 millimetres on coated paper and 5.1 on pale marble — which is the width of the neighbourhood a point's colour is decided by. What the eye does

Two blurs before the eye's own

A translucent object arrives at the eye already blurred, by a kernel that is a property of the material rather than of the optics. On every material in this collection's table that blur is coarser at ordinary reading distance than the finest detail the eye can resolve — so the softness of marble or skin or wax is not a failure of vision, it is the object.

Two slabs with one reflectance, and two colours through an aperture. Two constructed media whose bulk reflectance agrees at every wavelength to fifteen figures, and whose diffusion lengths differ by a factor of four. The upper curve is that shared reflectance — both slabs lie on it exactly. The two patches on the right are what a 4 millimetre radius returns from each, and they are 6.3 ΔE₀₀ apart. This is a metamerism with no observer in it: the two samples are the same colour to anybody under any light, and the instrument separates them because it is measuring a kernel through a hole rather than measuring a reflectance. What the brain does

The appearance model has no slot for it

Two slabs with identical reflectance and different kernels come out of CIECAM16 with identical lightness, chroma and hue — to six decimal places, because the model's input is a stimulus and their stimuli are the same. Translucency is a recognised appearance attribute with no correlate in any appearance model, and the reason is structural rather than an oversight.

The collection's adaptation census, with its surfaces departed. Each row is one of the fourteen changes of light in this site's adaptation census, and the bar is what a von Kries gain leaves behind. The open marks are the published numbers; the filled ones are the same computation with every one of the hundred and twenty-five test surfaces replaced by what an instrument with an aperture, or a room with a direction in it, actually reports. Nothing moves by more than 9 per cent. A departure that does not depend on the light is very largely absorbed by the observer's own gain, because it changes the reflectance and the gain is applied afterwards. The fourth departure is not on this chart and cannot be: a fluorescent sample has a different curve under every light, so there is no set of reflectances to hand the census at all. What a camera does

The chart was measured, not photographed

A camera profile is fitted so that the camera's response maps onto the chart's tristimulus values, and those values came out of a spectrophotometer. So the profile's target carries the instrument's departures and the camera does not — a mildly translucent chart read through a four-millimetre aperture supplies targets 2.55 ΔE₀₀ from the truth, which is twice the profile's own fitting error.

Four departures from the model equation, each at an ordinary strength. What each of the four assumptions inside a colour integral costs, in ΔE₀₀, on a stated sample under a stated light. The wavelength index is a coated printing paper measured with and without the ultraviolet of D50; the range is the same paper integrated from 300 nanometres and from 380; the place index is a pigmented plastic through a four-millimetre radius; the direction index is an eggshell paint beside a window. The spread is a factor of 7.0. This is a ranking of four examples rather than of four departures — each of them can be made larger by choosing a more extreme sample, and the marble in the same collection of materials reaches 12.7 on the index that comes third here. Difference and uniformity

The departures are larger than the tolerance

A delivery tolerance is written around one ΔE₀₀ and every one of this round's four departures is above it on ordinary material. A specification that names an illuminant, an observer and a tolerance, and does not name a measurement condition, an aperture and a field, has written a number that two honest laboratories can miss each other on by more than the number itself.

Which of the collection's published quantities a departure can be pushed through. The six quantities the previous round recomputed under six different colour-difference units, and whether the same treatment works for a departure. Two do: the adaptation census and the metameric pair both take reflectances and a light, which is what a departure acts on. Four do not, and the reasons are different in each case rather than a single obstacle. A unit is a function applied to the answers, so it can be swapped at the end of any computation; a departure changes the object at the start, so it has to be accepted by every stage in between. That is the practical difference between auditing a convention and auditing a structure. Where the model breaks

A departure is not a unit

The previous round audited six published quantities by swapping the unit they were quoted in — a function applied at the end of each computation. Nothing of that shape works here. A departure changes the object at the start, so every stage in between has to accept it, and only two of the same six quantities can take one at all. The fourth cannot even be expressed in the interface.

The six arguments a surface's response has, and the one this model keeps. A surface's response to light is a function of six arguments: the wavelength, direction and place the light arrives with, and the wavelength, direction and place it leaves with. The model every colour here is computed from keeps one number per wavelength, which means it takes the diagonal of the first pair, integrates the second away, and assumes the third pair equal. Each departure drawn here restores one of them. The fourth departure is not on the diagram: the wavelength grid is the range of the index that was kept rather than an index that was dropped, which is why it is the cheapest of the four to fix and was still not fixed. Where the model breaks

The audit that changed the object

Three rounds audited this collection's numbers, its sets and its conventions, and each one ended by naming the same thing it could not reach — that a surface is a reflectance. This round reached it, found that four departures share one algebraic form, had two of its predictions refused, and discovered that its own hemisphere quadrature had been passing a convergence check by luck.

a fluorescent tube, mercury lines on a phosphor bed, with a 5-nanometre grid marked on it. The light drawn at a fifth of a nanometre, with the 5-nanometre tabulation points marked beneath. 38 of the 53 points carry more than a twentieth of the peak. What a summation over those points computes is not an approximation to the area under this curve; on a spectrum with features narrower than the spacing it is a different quantity, and the difference depends on where the points fall rather than on how many there are. What light is

The index is a choice too

Every colour in this collection is a sum over eighty-one numbers running from 380 to 780 nanometres in steps of five. That index is not a property of the eye, the light or the sample — it is a tabulation, and it holds three separable decisions that behave completely differently from one another.

What an instrument's slit width does to a tabulated colour. The horizontal axis is the full width of a triangular slit, from zero — perfect point sampling — to twenty nanometres; the vertical is the distance from the true colour, logarithmic. For a smooth light the lines are flat: a slit narrower than any feature changes nothing. For a line spectrum they fall off a cliff at the left. Point-sampling a mercury line at five nanometres costs 1.26 ΔE₀₀ and integrating the same spectrum through a five-nanometre slit costs 0.014. A spectrometer does not sample a spectrum; it integrates one, and the blur everybody would remove if they could is what makes a five-nanometre table safe. What light is

The slit is what makes it legal

Point-sampling a mercury line at five nanometres costs a colour difference of one unit, and a laser projector thirty-seven. Integrating the same spectrum through the five-nanometre slit every spectrometer already has costs 0.014 and 0.19. The blur anybody would remove if they could is what makes a coarse table honest.

What three fill-in rules cost when a five-nanometre table is read at one. A five-nanometre table read at one nanometre by three rules — hold the value, straight lines, a cubic through four points — each compared with the same tenth-nanometre reference. The dashed rule is the answer obtained by summing the table as it stands, at 0.00000 ΔE₀₀. Two of the three interpolations are worse than not interpolating. That is not a paradox: the summation's error is already small because the normaliser cancels most of it, and an interpolator introduces a shape the original curve did not have, which the cancellation cannot touch. A finer grid is not more resolution when the table is not finer. What light is

A finer reading of a coarser table

Interpolating a five-nanometre spectrum to one nanometre helps a daylight calculation by a factor of five and harms a three-emitter LED by a factor of a hundred and twenty thousand. Both are the same operation on the same table, and which one happens is decided by a property of the light nobody records.

The two tabulation choices over forty-two surfaces, under a tungsten lamp at 2856 K. Each column is one choice, measured over a family of forty-two analytic reflectances rather than on a single example: an absorption band of stated centre, width and depth. The four marks are the smallest, the median, the ninety-fifth percentile and the largest cost in ΔE₀₀, logarithmically. Under a smooth light the range is worth 6.3 times the step at the median, so a collection wanting one repair should widen its range rather than refine its step — and under a fluorescent tube the ranking reverses outright. Difference and uniformity

A neutral has no grid

A perfectly flat reflectance computes to exactly the same colour on every wavelength grid, through every slit, at every origin, and for every observer — not nearly, but to the last bit of a floating-point number. The condition is an identity rather than a limit, and what makes it one is the white point.

How much the answer moves when the 5-nanometre grid is slid through one cell. Each bar is the spread of one light's colour across five grid origins, all at the same 5-nanometre step, in ΔE₀₀. A smooth light barely moves, and what movement it has is the end cells rather than the sampling. The fluorescent tube moves by 3.18 units and the laser projector by 35.0, because their emission lines are narrower than the step and whether a sample lands on one is a coincidence of arithmetic. This is the measurement that separates a quadrature error from an aliasing error, and no average over origins can substitute for it. What light is

Where the grid starts

Holding the step at five nanometres and sliding the grid's origin through one cell moves a fluorescent tube's computed colour by 3.18 ΔE₀₀ and a laser projector's by 35.0. Refining the step does not fix it and averaging over origins hides it. It is the one tabulation fault with no smooth error to cancel against.

What each end of the 380–780 nanometre range costs, by light. Two bars per light, on a logarithmic axis: the upper is what extending the range down to 300 nanometres moves the answer, the lower what extending it up to 830 does. The asymmetry is the whole figure. A thermal source has about a fifth of its power outside this collection's range and almost all of it at the long end, where the observer is already zero; what costs money is the short end, where the observer is small but not zero and daylight is still strong. A light with no ultraviolet — an LED lamp, a laser — pays nothing at either end, which is the pairing again: a range only costs what the light puts in it. What light is

Two ends and one is empty

Extending this collection's wavelength range down to 300 nanometres moves a red pigment under daylight by 0.502 ΔE₀₀. Extending it up to 830 moves the same colour by 0.00015. A fifth of a thermal source's power lies outside the range and almost none of its colour does, and confusing those two shares is how a range gets argued about instead of measured.

The two tabulation choices over forty-two surfaces, under a 6500 K thermal radiator. Each column is one choice, measured over a family of forty-two analytic reflectances rather than on a single example: an absorption band of stated centre, width and depth. The four marks are the smallest, the median, the ninety-fifth percentile and the largest cost in ΔE₀₀, logarithmically. Under a smooth light the range is worth 9.1 times the step at the median, so a collection wanting one repair should widen its range rather than refine its step — and under a fluorescent tube the ranking reverses outright. What light is

Which end to buy

Refining a five-nanometre grid to one buys a daylight calculation 0.05 ΔE₀₀ and widening its range buys 0.54. Under a fluorescent tube the same two purchases are worth 0.83 and 0.0001. The ranking reverses completely, and what decides it is one length compared against one other length.

What the normaliser cancels, per light. Two bars per light, logarithmic. The upper is the colour error a 5-nanometre sum makes when the white it is divided by is computed finely; the lower is the same sum divided by the white computed on the same coarse grid, which is what every colorimetric calculation actually does. The ratio is between 1.3 and 4.1. The grid appears twice in a tristimulus value and the two errors are the same error, so most of it divides out — which is why five nanometres has been good enough for a century without anybody having to be careful about it. Difference and uniformity

The normaliser carries the error too

A five-nanometre sum gets a red pigment's tristimulus value wrong by two hundredths of a per cent and its colour wrong by six hundredths of a unit. Those two numbers are not the same size because the grid appears twice in a colour — once in the sample and once in the white — and the two errors are largely the same error.

The rectangle sum against the trapezoid sum, under a 6500 K thermal radiator. Colorimetry's summation is the rectangle rule at the tabulated points. The trapezoid rule differs from it by exactly one thing — half a cell at each end of the range — and the gap between these two lines is therefore that term and nothing else. At five nanometres it is a factor of 14.3, which means the number everybody calls a sampling error is mostly a truncation error wearing the step's clothes. On a light whose lines are narrower than the step the two rules agree to three decimal places, because there the error really is the sampling. What light is

The endpoint term has a name

The five-nanometre error on a smooth light falls linearly with the step, which is not what a sampling error does. It is the half-cell at each end of a truncated range, it is first order where the sampling is second, and halving two weights removes fourteen fifteenths of it for nothing.

How far this collection's analytic observer is from the tabulated one. The construction every figure in this family uses is three pigment absorptances through one fitted 3×3, and this is the residual of that fit against the CIE's 1931 functions: root-mean-square error as a percentage of each curve's peak, and the colour difference it produces over forty-two surfaces. The short-wavelength function is the worst at 16.4 per cent, which is where a pigment template is weakest and where the ocular media are doing most of the work. The median colour difference is 1.42 ΔE₀₀, so this is an observer of the right shape rather than a copy of the table — and every departure in this family should be read beside that number rather than against zero. Where the model breaks

The reference had to be built

A five-nanometre error cannot be measured with five-nanometre data. Interpolating the tables and integrating finely measures the interpolator, not the grid — so the audit of this collection's index had to be run against an observer made of formulae, and the price of that is a residual of 1.42 ΔE₀₀ that every number in the section is read beside.

What a tabulation step costs, by light, on paper. The horizontal axis is the tabulation step in nanometres, from one to twenty; the vertical is how far the resulting colour is from the same integral taken at a tenth of a nanometre over the same range, in ΔE₀₀, on a logarithmic scale. Each line is one light. The three with no feature narrower than the step fall smoothly and stay below a tenth of a unit at five nanometres, which is the grid used throughout. The fluorescent tube and the laser projector do not fall at all: their lines are narrower than any step drawn here, so the answer depends on where the samples land rather than on how many there are. The sample is held at paper throughout. What light is

A grid is not a resolution

Ten essays into this collection there is one sentence about wavelength sampling, and it is that five nanometres is enough. Ten measurements later there are three decisions, three mechanisms, three repairs and two rankings, and the word resolution names none of them.

The arguments a standard observer does not have. Seven choices inside a set of colour-matching functions, each with the shape it takes and what it is worth in ΔE₀₀ on a red pigment under a 6500 K radiator. Six are measurements: a field size, an age, a macular density, a cone optical density, three peak wavelengths and a rod contribution. The seventh is not — a change of basis is a change of curves and not a change of observer, and its entry is exactly zero because the space an experiment measures is what an observer is. Printing that zero beside the others is the clearest statement of what the other six are measurements of. What the eye does

The third factor is a construction

Every figure in this collection names its observer, which was the whole point. None of them says what an observer is made of. Three curves are not a measurement of the eye; they are a projection of one, with a field size, an age, a macular density, three peak wavelengths and a luminance constraint inside them.

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