Colour Science & Perception
what the eye settles, and what it cannot
Generator

The same twenty-four samples, measured two standard ways

How far apart a 45°/0° instrument and a sphere with its gloss port closed are, on samples running from three per cent reflectance to seventy. The whole of the difference is the interface reflection — four per cent of the light, returned without ever meeting a pigment, thrown away by one geometry and collected by the other. It is the same four points in every row, which is why the disagreement is a property of how dark the sample is rather than of what colour it is: ΔE00 8.7 on the darkest samples against 1.93 on the lightest.
The same twenty-four samples, measured two standard ways. How far apart a 45°/0° instrument and a sphere with its gloss port closed are, on samples running from three per cent reflectance to seventy. The whole of the difference is the interface reflection — four per cent of the light, returned without ever meeting a pigment, thrown away by one geometry and collected by the other. It is the same four points in every row, which is why the disagreement is a property of how dark the sample is rather than of what colour it is: ΔE00 8.7 on the darkest samples against 1.93 on the lightest.

Drawn at its defaults, in where the instrument was standing. It reads 3 options and no others: show, level, centre.

Called by 1 essay

the blast radius of changing it

Matching and measuring

An instrument has a geometry

Every reflectance here arrives through a model with a bandpass, a sampling interval and no position at all. Real instruments say where they were standing, and the two standard answers disagree by ΔE00 8.35 on a dark gloss sample — a difference that adds rather than multiplies, and that no adaptation removes.

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